Will Self

  • Books
    • Will
    • Phone
    • Shark
    • Umbrella
    • The Unbearable Lightness of Being a Prawn Cracker
    • The Undivided Self
    • Walking to Hollywood
    • Liver
    • The Butt
    • The Book Of Dave
    • Psycho Too
    • Psychogeography
    • Dr Mukti And Other Tales Of Woe
    • Dorian
    • Feeding Frenzy
    • How The Dead Live
    • Tough Tough Toys For Tough Tough Boys
    • Great Apes
    • Cock And Bull
    • Grey Area
    • Junk Mail
    • My Idea Of Fun
    • Perfidious Man
    • Sore Sites
    • The Sweet Smell of Psychosis
    • The Quantity Theory Of Insanity
  • Journalism
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    • Daily Telegraph
    • Evening Standard
    • The First Post
    • GQ
    • The Guardian
    • High Life
    • Independent
    • London Review of Books
    • New Statesman
    • The New York Times
    • Observer
    • Prospect
    • The Times
    • Walk
  • Radio and Audio
  • Television
  • Appearances

Symphony and the novel

October 5, 2011

‘The high arts of literature and music stand in a curious relationship to one another, at once securely comfortable and deeply uneasy – rather like a long-term marriage. At the securely comfortable end of the emotional spectrum we have those zeniths of song, the German lieder tradition, and high opera. In the best examples of both forms words and music appear utterly and indissolubly comingled. However, at the other end of this spectrum we have those kinds of music that attempt to be literary – so-called programme music – and those forms of literature that attempt, either through descriptive representation or emulation, to aspire to the condition of music. It is not my wish to denigrate works of these type, nevertheless there does seem to me to be an inevitable compromise – deterioration even – when an art form, rather than proceeding entirely sui generis, finds its ground in another form’s practice.

‘I myself am a latecomer to the serious appreciation of serious music – apart from jazz, which in the hands of practitioners such as John Coltrane or Thelonious Monk rises to the inventive musicianship and self-enclosed expressiveness of the greatest that small-ensemble classical music has to offer. Still, there comes a point in everyone’s life when it’s time to largely put away such childish things as electric guitars and harmonicas, and it may be precisely because I was in my 40s when I began to really hear symphonic music that I have approached the form altogether untrammelled by received ideas about it – a fancy way of admitting complete ignorance. There’s this, and there was also an intuition I had that my own practice as a novelist – when, that is, my mojo was properly working – had far more in common with how composers conceive of the symphonic, than it did with the lit-crit – let alone the “creative writing” – view of how it is writers actually write.’

Read the rest of Will Self’s piece for the Guardian on the symphony and the novel here, ahead of his talk at Kings Place in London this Saturday. Details here.

Real meals: Twice as Nice

September 29, 2011

Y’know, me don’ see dat David Starkey much down ‘ere on me manor, seen, tho’ wevver it am because he be chi-chi man or foo-foo racist man me don’t know. All I do know is dat he could be ‘avin bare good wittles if’n he laak tekkim ve trubs an’ dat.

I could go on, but you get the point. Round my way, Jamaican patois and cockney have interpenetrated to create a complete argot that’s pretty much incomprehensible to the casual RP speaker, although if you bother to take the time – and are unprejudiced – you’ll discover that it’s rich not only in coinages and neologisms but also in metaphoric figures, colouring and imagism of all sorts.

It would be wrong to describe this new English dialect as “Jafaican”. There’s nothing fake about it – it’s spoken unselfconsciously by both black and white young people who have grown up surrounded by its two parent tongues. I’m not sure if Starkey has taken the time to read Stephen Pinker’s magisterial The Language Instinct but, if he did he’d discover the unpalatable – to him, at least – fact that a close analysis of African-American demotic has shown it to be far more grammatically complex than standard English. I suspect that the same is true of the common tongue spoken on the streets of sarf London – all of which is by way of my saying that, far from believing white Britons have become too black, I suspect we aren’t yet black enough.

It’s anomalous that, while white Britons have taken south Asian cuisine to their woolly bosom, West Indian food hardly ever features on high streets or in the culinary columns of newspapers – apart, that is, from jerk (or seasoned) chicken and Jamaican patties, which are increasingly sold alongside pies and pasties in fish-and-chip shops – though the mass-market items are more often than not as bland as their British co-specifics.

Which is a shame, because Caribbean food is a rich synthesis of African, Asian, European and Chinese influences, with a distinctive local twist. From ackee and salt fish through curry goat to fried plantain, the dishes are toothsome, piquant and wholesome – especially if you add in the distinctively heavy dumplings known as “foo-foo” (not to be confused with Starkey). My suspicion is that, as it was to the imperial mission, so it is to the post-imperial noshing: at an unconscious level, the majority population enacts a “martial races” policy on its gustatory habits. The Asians, colonised to serve as the small shopkeepers of the imperium, have retained that role for their former overlords. African-Caribbean people, by contrast, were outright enslaved and, once manumitted, brought in to run the public services – transport, health and so on – rather than the takeaways.

One of my favourite British chefs is Fergus Henderson, whose St John restaurant in London has been offering “nose-to-tail eating” to upmarket diners for years. If you want nose-to-tail eating of a different, but equally palatable sort, at a fraction of the price, I recommend my local Jamaican gaff, Twice as Nice on the Wandsworth Road. When you order the cow’s foot here, you get a complete cow’s foot, hoof and all. When – as I did at lunchtime today – you essay the oxtail, be prepared to find out quite how many little bones there are in a bovine tail.

The food is graphic at Twice as Nice and the prices comprehensible – my oxtail came with salad, rice and beans. With a can of Ting (“real Jamaican grapefruit”), my lunch cost £5.70 – but that’s only because I opted to sit in, listen to the reggae lilting from the boom box and earwig the young folk goofing out at the nearby counter: “She say she ‘av five chillun, man, an’ look at ‘er – she am sma-all, innit.” When the Vietnamese woman who flogs pirated DVDs from café to café came moseying in, it occurred to me that, were I out on a date, I could round it off with the latest cinema release – all for under a tenner. Given that this would be a date with myself alone, the chances of some sort of sexual activity would be better than evens.

I’d rather dine alone at Twice as Nice than break foo-foo with Starkey, TV’s Mr Twice-as-Nasty. Still, even if he doesn’t wish to darken the establishment’s doors for a sit-down meal, I strongly suggest that he dash in for one of its excellent patties: the pastry is light and fluffy and the fillings are delicious. As he strolls through the milling crowds along the Wandsworth Road, munching the thing, he might even be struck blind – colour blind, that is.

A Point of View

September 29, 2011

Starting this Friday at 8.50pm, Will Self is going to be taking over A Point of View on Radio 4 for four episodes. His first programme will be on political party membership. Read his thoughts about it here. Listen again here.

On cycling

September 28, 2011

Will Self talks about cycling at a recent Intelligence Squared debate at the Royal Geographical Society, above, and at a Q&A with Geoff Dyer and others, below, where he defends going through red lights, and much more besides.

Madness of crowds: An excess of workers

September 22, 2011

At Motherwell Station, there is a reception committee awaiting me – or is it some sort of posse, with me in the Butch Cassidy role? One … two … three … no fewer than six ticket collectors bar my way. Golly!

There must be a certain frenzy involved in quitting the town – I envision flying wedges of berserkers without the wherewithal, desperate to board a local service for Garscadden or even a long-distance one to Berwick. Ever keen to lighten an official stoppage with banter, I say, “Whoa! What a lot of ticket collectors! I haven’t seen so many ticket collectors in one place in … I dunno – like, never. What is this, some sort of job-creation scheme?” My sally is punctured forthwith by the hole-puncher nearest to me, a saturnine fellow with corrugated brows. “Ticket, please,” he says, although what he means is: “I’d like to put a neat, two-millimetre hole in your fucking eye.”
“What,” I persist, as I pass the pasteboard, “are you not fond of a joke?”
“I am,” he says coldly, “but only when they’re funny.”

I could see his point. Plenty of little girls and boys dream of becoming train drivers but I can’t imagine that many fantasise about becoming ticket collectors. What must it be like to find yourself in a job that is not only tediously repetitive but also involves dealing with members of the fickle public, who veer between the enraged and the jocose? None of which explains why there were six of them.

It seems bizarre to suggest in these days of public-sector cuts and half-time working in the private sector, not to mention out-and-out redundancy, that crowds of superfluous personnel may be the order of the day, yet this is the case. A week earlier, dining at a gastropub on the A4 outside Reading, I was bewildered by the number of bar staff – there were more bodies behind than in front and, when I ordered a Virgin Mary, four of them collaborated in making it for me.

I spoke to one of these supernumeraries and it transpired that, until a year previously, he’d been part of a still madder crowd: British expats in Dubai. He said he’d loved Dubai, despite a rather tricky time towards the end, when, due to, um, personal debts, he’d been unable to leave the country. “What did you do there?” I asked. He said he’d worked in human resources. I laughed bitterly and said that was rich, considering Dubai was a racist shit hole built on slave labour. He laughed still more bitterly and said that everyone was entitled to his opinion – although what he meant was: “I’d like to shove this two-litre vodka bottle right up your jacksy, then use the optic to suck out your lifeblood.”

At this juncture, I forbore from observing how wry it was to view his work history as a sort of arcade game – one of those penny cascades where the coins build up and up until they tumble down to the level below. Subject to the merciless buffeting of late capitalism, he had been catapulted from one overmanned economy to another and, in due course, he would doubtless tumble into the oubliette of unemployment. All of the above is my rather heartless way of pointing out that this crowd is crazed for a good reason: it senses the axe whistling about its ears.

The phenomenon of too many workers, far from being a sign of a booming economy, heralds the stage in a slump just before swaths get the scythe. Capitalism has a rotten skull beneath its toned, moisturised skin.

As a system, it is predicated quite as much on the supply of and demand for workers as it is on the supply of and demand for the things they make and the services they offer. In times of plenty – even mock-plenty – you will know capitalism by the scarcity of labour, which means potential employees, whether plumbers or prostitutes, are always being hurried to some location where money can make more of itself out of them; but, in times of crisis, look out for the masses deranged by their sense of being inutile.

Let us typists, however, not be immune to the vicissitudes of global finance and local indebtedness. It was the first time I’d seen six ticket collectors in one place but I’ve often seen six economically non-viable writers cheerfully congregate – and how deranging is that? The only solution is a carefully targeted programme of public investment in viable infrastructure – such as railways – and a literary set-aside scheme, whereby the government subsidises authors to produce books that will never be read. Only drastic measures such as these will give us the good mental health afforded by full employment.

Real meals: Up the hatch

September 21, 2011

There is a deep, almost primordial satisfaction to be gained from eating at a hatch. By this, I don’t mean being served from a hatch – the sine qua non of institutional existence is the shuffling queue to be slopped upon. Prisons, factories, barracks – all are the same in this lack of respect for the individual. No, eating at a hatch somehow reverses this relationship: the hatch is freely approached and leaned on, while the servitor, rather than being just another robot in the production line of life, is consorted with as an equal.

Perhaps the best sort of hatch-eating experience, assuming that you’re human, is had at those mobile cafés scattered along the byways of the land. British high streets may have lost in the clone wars and motorway arteries may be clogged by fast-food joints, yet turn a touch athwart the stream of life and there they are: little trailers blazoned with Union flags and cheery signs, wreathed in the bluey-grey smoke of frying. You approach the hatch, inhale the odours of burnt pig, engage the proprietor in cheery banter, drink deep of sweet tea, watch the shreds of black plastic bag caught on the barbed-wire fence riffle in the stiff wind that blows across the turnip field – the whole sitch is so goddamn Orwellian that if there were a clergyman’s daughter to hand, you’d probably ravish her on the soft verge.

In Leverburgh on the Isle of Harris the other day, I espied something called the Butty Bus and approached it with a spring in my step. True, this was an upmarket wayside-eating experience, confirmed by the wholesome stench of home-made lentil soup. There was this – and there was also the handsome yet slightly haunted-looking man in khaki overalls who sat at a dinky counter.

Recognising me, he introduced himself: “I’m John Maher. I was the drummer in the Buzzcocks.”

“Aha,” I replied, not missing a rim-shot. “In that case, you must have been at the seminal Sex Pistols gig at the Manchester Free Trade Hall in 1976?”

“Indeed,” he conceded. “It was our first outing together as a band.”

Maher, it transpired, had decamped to the Hebrides years before and now idles his days away building flat-four VW engines from scratch for echt Dormobile enthusiasts. I know, I know … This seems not so much too good to be true as too true to be good. I’m sure that you, like me, are certain that the butty buses and burger hatches of the kingdom by the sea are clogged up with superannuated punk rockers: the Ruts dunk Eccles cakes at a Formica counter near Stoke-on-Trent; Captain Sensible chews a cheeseburger on the seafront at Weston-super-Mare; the ghost of Joe Strummer picks fragments of prawn-cocktail-flavour crisps from his beard in the web-foot country of Lincolnshire …

Heading south to my familiar munching grounds in the Scots rust belt, I found myself walking through penetrating smir down Dalziel Drive in Motherwell. On one side of the road, billboards advertised “prestigious four-and-five-bedroom residences” and the houses pictured were bathed in implausible sunshine. On the other, there was a perfect trailer with “Hot Food” painted on its side. I knew which I found more gemütlich, so I hustled up to the hatch and stood there in the shelter of its raised shutter, sipping my milky-sweet tea, while mein host fried me a bacon-and-black-pudding butty.

He had, he said, been stationed here for six years, servicing the requirements of the hard hats who had demolished Motherwell High School and were now transmogrifying an ebullient education system into an asset bubble. Six years in a six-foot-long trailer equipped with tiny shelves of Irn-Bru — it sounds like a torment, but the young man, who bore a family resemblance to Johnny Vegas, seemed quite content.

We chatted while spirited-looking girls wearing leopard-print macs and carrying zebra-striped bags tripped along the pavement towards Our Lady School. The bill came to £2.30 – I felt like tipping but suspected this might be considered a little outrageous. A hard hat pitched up for a burger. I said my goodbyes and trudged on.

The grim slab of the school appeared between sodden leaves. Twenty feet up, clamped to its weeping concrete wall, was a glass cubicle, within which was housed the eidolon of its namesake. Idly, I considered whether I should steal a ladder from the building site and climb up to see if she, too, was serving food.

A new short story, iAnna

September 15, 2011

“Dr Shiva Mukti, a psychiatrist at St Mungo’s, a small and down-at-heel general hospital situated – rather bizarrely – in the dusty pit left behind when the Middlesex Hospital was demolished in the spring of 2008, had, through various serpentine manipulations, got hold of his senior colleague Dr Zack Busner’s mobile phone number, and this he proceeded to call: ‘Who is it?’ Busner snapped. He was lying naked on his bed in the bedroom of the grotty first-floor flat he had recently rented on Fortess Road in Kentish Town above an insurance broker’s. His phone had been balanced on the apex of his sweat-slicked tumulus of a belly, and when it rang it slid down, slaloming expertly through his cleavage, bounced off his clavicle and hit him full in his froggy mouth. Mukti identified himself and explained why he was calling. Busner responded disjointedly: ‘Yes … oh, yes … Yes, I remember you – no, no I’m not. No – I’m not inter- For heaven’s sake, man, I’m retired, I don’t want to examine your patient no matter how novel her symptoms may be … What’s that? Not the first, you say – something of an emerging pattern …?

“It was too late – the older psychiatrist had allowed himself to be hooked, rocking then rolling off the bed he stood with the phone caught in the corner of his mouth. Then the call pulled him into his clothes, out the door, down the stairs (through the wall he heard things like: ‘Third party in Chesham, John?’ and ‘Better try Aviva …’), out the front door, down the road to the tube, down the escalator, through the grimy piping and up another escalator, until he found himself, landed and gasping below a flaking stucco portico beside a billboard picturing computer-generated luxury flats, 1,800 of them.”

Read the rest of Will Self’s brand new short story, iAnna, commissioned by the Guardian to mark the 10th anniversary of 9/11, here.

Madness of Crowds: Suicide bombers

September 14, 2011

I was sitting on the Tube with my six-year-old son. I’d bought him a bag of crisps and he was munching them while I read some boring periodical. Then: “Dad, Dad …” He pulled at my elbow. “Shush!” I admonished him. “I’m reading.” Then again: “Dad, Dad …” He pointed towards the only other person in our carriage: a young man of Asian appearance wearing a shalwar kameez, a prayer cap, sporting a wispy beard and with a small rucksack on his back. I realised what my kid was driving at – but shushed him again. Once we were off the train, I asked: “What? What is it?” He stared back at me with the triumphant expression of the junior spy: “That man,” he said authoritatively, “was a suicide bomber.”

This happened a couple of months after the 7/7 attacks in London, and while as a general rule recounting the precociousness of one’s children is the dernier cringe, I think it worthwhile setting down here as an example of how far this malevolent syllogism had sunk, by then, into the collective consciousness: the suicide bombers were Muslims, that man was a Muslim, QED, that man was a terrorist. It doesn’t matter how elegantly this fallacious “reasoning” is gussied up, or how it is tied in the rhetorical ribbons of politicians, policymakers and the leaders of the other two big monotheisms, the conclusion always remains the same: an entire group of people is damned by association with the crimes of a handful of individuals.

To understand just how crazy this is we have only to observe that we do not treat all men as if they were wise simply because Socrates was a man – the men who perpetrated the 9/11 attacks are dead, so are those who killed London commuters on 7 July 2005, so they cannot be punished any further by pulverising peasants in Afghanistan, let alone by shunning British Muslims who live and work in this country.

This morning, I was musing on the tenth anniversary of that grotesque spectacular, which, even before the dust had settled on the streets of Manhattan, was already being employed as a handy historical way-marker – musing and organising a car rental in a small Scottish city. The man doing the paperwork was a British Asian Muslim – not that you’d have been able to tell if you couldn’t see him: his accent was as broad as any urban Scot’s. I asked him if he minded if I asked him a personal question, and he said he didn’t, so I said: “Did you experience any problems, personally, after 9/11?”

It was as if I’d released a valve – for out it gushed. He had been studying in Glasgow at the time, and his friends were so worried for him that they formed a scrum around him and conducted him home like that. Even so, he was spat at in the street. This continued for four or five months after 9/11: verbal abuse, spitting, people automatically moving when he got on public transport: “I had no problem getting a seat on the bus for ages …” he quipped ruefully. What he found most difficult was that the shouters were by no means the usual suspects but “educated-looking people, y’know, all suited and booted”. He told me that when his sister-in-law asked two police officers to stop a group of men following her and taunting her, they merely shrugged their shoulders.

With the first anniversary it all started again, and so it continued, year after year, like a bizarre addendum to Ramadan, as if it were the lot of every English or Scottish Muslim to suffer collective punishment. The man in the car-hire place spoke not as if personally aggrieved – because he understood there was nothing personal about these assaults.

There are many state-sanctioned ways of honouring those killed during the 9/11 attacks, but I have a novel suggestion: why not, on the tenth anniversary, express some sympathy towards the living victims. If you see a young man in shalwar kameez and with a wispy beard sitting on a train or a bus – go and sit next to him, strike up a conversation even. Individuate him just as you yourself would wish to be individuated. This is the sane thing to do.

Cycling festival

September 8, 2011

Listen to Will Self talking about cycling here, ahead of tonight’s Intelligence Squared debate at the Royal Geographical Society. There are some tickets left apparently; details here.

Walking to Hollywood reviews

September 7, 2011

The Sunday Times: “In Very Little, the first in this triptych of wacky tales rooted in autobiographical reality but twisted through gonzo distortions, Self recalls an outrageously funny friend (a dwarf, with whose sister he had embarrassing teenage sex at a party). The Hollywood in the title story is a nightmare of video games and scientology where Self morphs into a female porn star and the Incredible Hulk. The last tale is a grey affair about coastal erosion, after which Self explains that the three have been themed around obsessionality, psychosis and dementia respectively. The effect is hallucinogenic, paranoid and gruellingly clever.”

The Guardian: “Scattered photographs, odd domestic details, a filthy reference to Margaret Atwood’s remote-book-signing device the LongPen: there are traces of reality in Walking to Hollywood but they are like the frantic nail-furrows of a cartoon character scrabbling on a rock-face before plunging into the void. Will Self ‘s psychogeographical (the geographical is not always a given) ramblings are split into three parts: “Very Little”, an account of the narrator’s relationship with achondroplastic dwarf and art-superstar Sherman Oaks “Walking to Hollywood”, an exhausting Los Angeles odyssey where everyone is played by an actor (Self is both David Thewlis and Pete Postlethwaite) and most affectingly, “Spurn Head”, the record of a coastal walk with a grimly inevitable rest-stop at its end. In the afterword, Self says each part represents a mental pathology – obsessive compulsive disorder, psychosis, Alzheimer’s – but these are subtle divisions in a book that examines the human brain with a scalpel in one hand, a brick in the other, and a lit firework between its teeth.”

The Independent: “Self’s latest work has its roots in the once fashionable notion that walking is a radical act. In this triptych of surreal tales that come dressed as memoir, Self takes on the role of loquacious author-narrator. In “Very Little”, he describes his relationship with celebrated sculptor and dwarf, Sherman Oakes, who aged 13 threatened to walk into the local bakery stripped naked except for a skullcap and attachE case. In the centrepiece, “Walking to Hollywood”, Self walks across LA, only to realise that he’s part of a movie and that every character he meets is played by a celebrity. Finally in “Spurn Head”, he tramps the coast of East Yorkshire, finding in the crumbling cliffs an extended metaphor for what he suspects is the early on-set of Alzheimer’s.”

The Observer: “Travelogue, film criticism and autobiography are among the genres fused in this surreal narrative, in which a neurotic Self-alike tries to shake off his obsessive-compulsive disorder by taking a trip to Los Angeles to find out who or what ‘killed film’ (the suspects include Sony, CGI and Mike Myers). After resuming a rivalrous childhood friendship with a 3ft-tall sculptor, he brawls with Daniel Craig’s stunt double, mutates into the Incredible Hulk, and wakes to find that he’s developed the breasts of the Mulholland Drive star Laura Harring. Essayistic interludes punctuate the action: there’s a bracing take on the Polanski affair, and many funny riffs about the effortful artifice film-making involves. When the narrator learns that air traffic controllers were flown to Pinewood Studios “to play the parts of the air traffic controllers” in the film United 93, he can’t help thinking of the ‘air traffic controllers who had ensured those air traffic controllers landed safely, so that they could pretend to be witnessing the feigned destruction of real bodies’.

“Jollity and gloom collide: the darker material, which draws on the author’s history of drug addiction and the death of his mother, brings to mind Bret Easton Ellis’s eerie memoir-thriller Lunar Park, a novel that Self is shown reading. Ellis himself pops up, along with several other writers who have come to LA to beg for work, including a tramp who turns out to be Salman Rushdie. A drolly emphatic disclaimer warns against mistaking these names for their real-life counterparts – which is probably just as well, given what Self writes about Toni Morrison.

“Extravagant prose is inevitably a stand-out feature of the book. The first vowel of the word ‘descended’ appears 523 times in order to evoke Norman Bates’s super-slo-mo knife attack in Douglas Gordon’s art installation 24-Hour Psycho. Although Self’s alter-ego frets about the ‘arrant nonsense’ of his style, there’s plenty to enjoy here, especially the 26-word compound adjective with which he memorably vents spleen at a gabby jet passenger.

“The fear of early-onset dementia haunts Self’s return to London, and he promptly embarks on a walking tour of the fast-eroding Yorkshire coast. At one point, he asks a local for directions to the next village. “Ahv no ahdeah”, comes the reply. Some readers may feel the same way about this bizarro hotchpotch – but if you’re prepared to accept its eccentricity, much fun awaits.”

The Independent on Sunday: “Will Self ‘s Walking to Hollywood consists of three skewed travelogues, in which truth bleeds bafflingly into fiction. Of Self’s previous work, it is perhaps closest in spirit to his erstwhile ‘psychogeography’ column for The Independent, in which he professed to unpick the ‘relationship between psyche and place’. But if those articles were often little more than scatological jeux d’esprit, this is a darker and more serious affair.

Not that Self’s usual exuberance is entirely absent. Reading the title essay, which documents his perambulations around downtown LA, is like watching a dirty-minded cartoonist doodle on a postcard, turning famous sights into obscene tableaux: the Incredible Hulk comes to life and starts rutting with the cars along Miracle Mile.

“Elsewhere, however, the book strikes a different tone. In ‘Very Little’, Self tramps the gloomy South Downs with a megalomaniac dwarf ‘Spurn Head’ recounts a hike along the crumbling Yorkshire coastline. Elliptical and unsettling, these two pieces suggest an intriguing shift in Self’s work, from the colourful surrealism of William Burroughs to something more akin to WG Sebald as in Sebald’s Vertigo, captionless black-and-white photographs embed the text, and dead-eyed doppelgangers abound.

“Walking to Hollywood ultimately fuses physical and psychological landscapes in ways that are unique, making it utterly Selfish – but in a good way.”

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Will’s Latest Book

Will Self - Elaine
Will Self's latest book Elaine will be published in hardback by Grove on September 5 2024 in the UK and September 17 2024 in the USA.

You can pre-order at Amazon.co.uk and Amazon.com

Will’s Previous Books

Will Self - Will
Will
More info
Amazon.co.uk

  Will Self - Phone
Phone
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Amazon.com
Shark
Shark
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Amazon.co.uk
Amazon.com
  Umbrella
Umbrella
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Amazon.co.uk
Amazon.com
The Unbearable Lightness Of Being A Prawn Cracker
The Unbearable Lightness Of Being A Prawn Cracker
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Amazon.co.uk
  Walking To Hollywood
Walking To Hollywood
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Amazon.co.uk
Amazon.com
The Butt
The Butt
More info Amazon.co.uk
Amazon.com
  Grey Area
Grey Area
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Amazon.co.uk
Amazon.com
Junk Mail
Junk Mail
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Amazon.co.uk
Amazon.com
  Great Apes
Great Apes
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Amazon.co.uk
Amazon.com
Cock And Bull
Cock And Bull
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Amazon.com
  The Quantity Theory Of Insanity
The Quantity Theory Of Insanity
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Amazon.com
The Sweet Smell Of Psychosis
The Sweet Smell of Psychosis
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Amazon.co.uk
Amazon.com
  My Idea Of Fun
My Idea Of Fun
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Amazon.com
The Book Of Dave
The Book Of Dave
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Amazon.com
  Psychogeography
Psychogeography
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Amazon.com
Psycho Too
Psycho II
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Amazon.com
  Liver
Liver
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Amazon.com
How The Dead Live
How The Dead Live
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Amazon.co.uk
Amazon.com
  Tough Tough Toys For Tough Tough Boys
Tough Tough Toys For Tough Tough Boys
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Amazon.co.uk
Amazon.com
Dr Mukti And Other Tales Of Woe
Dr Mukti And Other Tales Of Woe
More info
Amazon.co.uk
Amazon.com
  Dorian
Dorian
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Amazon.co.uk
Amazon.com
Feeding Frenzy
Feeding Frenzy
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Amazon.co.uk
Amazon.com
  Sore Sites
Sore Sites
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Amazon.co.uk
Amazon.com
Perfidious Man
Perfidious Man
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Amazon.co.uk
Amazon.com
  The Undivided Self
The Undivided Self
More info Amazon.co.uk
Amazon.com
Bloomsbury  
Penguin

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will-self.com is the official website for British novelist and journalist Will Self. The site is managed by Chris Hall and Chris Mitchell.

If you want to get in touch, you can email us at info@will-self.com

All email will be read, but we can’t guarantee a response.

PR agencies, please DO NOT put this email address on any mailing lists.

If you have a specific request for Will regarding commissions, book rights etc, you can contact his agent via agent@will-self.com

Will’s Writing Room

Will's Writing Room
– a 360 degree view in 71 photos

Recent Posts

  • Will Self’s new novel: Elaine
  • Berwick literary festival October 12
  • BONUS: Martin Amis in conversation with Will Self (2010)
  • My obsession with Adrian Chiles’ column
  • Why Read in Tunbridge Wells
  • The mind-bending fiction of Mircea Cartarescu
  • ‘The Queen is dead – and let’s try to keep it that way’
  • Why Read to be published in November
  • On the Road with Penguin Classics
  • The British Monarchy Should Die With the Queen

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