Listen to Will Self’s third A Point of View programme tonight on Radio 4 at 8.50pm, in praise of wind turbines. Listen again here.
(Update: the text of the broadcast is now available on the BBC website).
Listen to Will Self’s third A Point of View programme tonight on Radio 4 at 8.50pm, in praise of wind turbines. Listen again here.
(Update: the text of the broadcast is now available on the BBC website).
My wife, who has had cause to spend some time in hospital over the past year, observes that if patients were told on admission that they would have to pay for their own food, they would have a fit – with a commensurate drain on the already straitened resources of the NHS. And yet, almost invariably, the first thing that a visitor is instructed to do by their prone one is to go down to the lobby and get a sandwich from Marks & Spencer, because the food divvied up gratis is such muck.
I’m not sure how the powers that be at M&S feel about this association: serious illness/M&S chicken sandwich. My hunch is that they’re pleased. How else to explain the selection of snacks they’re offering on behalf of Macmillan Cancer Support, which enables the buyer to chomp and donate at the same time? I recently took the unusual step of going to a hospital for lunch – I’d like to say that I was meeting Andrew Lansley there to have a frank exchange of views on his NHS reforms, but the truth was more sickening, if quite as prosaic: I had this column to write.
Under the current dispensation mandated by free-market ideology, large hospitals have become one-stop shops for anything from having a heart bypass to purchasing a pair of Pretty Polly sheer tights. Strolling from the cashpoint to AMT Coffee, via a boutique with the teasingly downbeat name Stock Shop, I think I could have been forgiven if I’d forgotten, for example, that I’d come in with acute coronary thrombosis and spunked off all my money on a carb binge.
Standing in the M&S café, I thought about the associations that the St Michael brand has for me. In my childhood, the stores had a genteel cachet, summed up in our family lore by my father’s Uncle Martin, who had taken early retirement from the colonial service to live out his days in a villa in Cheltenham. I remember the celebrated luncheon at which Uncle Martin, the faint nimbus of a psychic sola topi still shimmering about his snowy brows, fixed us all with gimlet eye before saying – apropos what he was masticating – “We buy all our chickens at Marks & Spencer . . .” Ever afterwards, drawling out “Marks & Spencer” in the manner of the ex-district commissioner would reduce my mother to giggles, for, like many immigrants to England, she had an eye for the fatuity and infinite divisibility of its class mores.
So it was a no-brainer: I selected the chicken salad sandwich and went to the counter to ask what the seasonal soup was. “Butter and nut squash,” said the more recent immigrant behind it, whose name badge read Kurshid. It was a charming malapropism and I hoped he’d never lose it.
While Kurshid microwaved the beige gloop, I selected a slice of Bakewell tart: the sight of flaked almonds always makes me think of the smell attributed to prussic acid by detectives in Agatha Christie novels. Kurshid made me a latte and I retreated to a nook. Above me, circular lampshades glowed red between naked neon tubes; on the walls, pseudo-Warhol prints showed sections of fruit juxtaposed with St Michael tomato soup cans; outside the floor-length windows, the hospital façade was pinioned together by steel struts and tensioned cables that resembled a monstrous, orthopaedic brace.
I tried the gloop – it was OK. I bit down on the chicken sandwich – it could be borne. I sipped the latte – ah, well, I thought, so it goes. On the hospital’s concourse, medical and auxiliary staff mingled with patients and visitors. The hospital staff wore loose tunics and baggy trousers of the same colour – either blue, green, white or butter-and-nut-squash – while the civilians were just a little more informal. Kurshid and the other M&S staff wore fetching black ensembles.
At the next table, a middle-aged woman with tired eyes spoke in the low tones of bereavement. I wanted to lean across, pinch her cheek in a Michael Winner-ish way and say, “C’mon, darling, cheer up!” Then I noticed the lanyard around her neck that bore the words: “Aspire – equality and diversity staff networks”, and clocked the dog collar which cinched that neck. “For Christ’s sake!” I screamed internally. “This is what your life has come to: fantasising over an M&S sandwich about goosing a woman priest!”
I reached for the Bakewell tart, sniffed it judiciously and, hoping with the fervent calculation of the parasuicidal that the hospital had a poisons unit, took an enormous bite.
“I first met Bruce Robinson in the mid-Nineties – it was a vague decade for both of us, so I feel no need to hammer down the year. We were lunching with mutual friends, whose house in the vegetable underbelly of Birmingham is a curious Arts and Crafts repro of a Tudor mansion. So, picture the scene: side tables strewn with well-carved beef bones, a long dining table scattered with dirtied plates and smeary glasses, silvery winter-afternoon light falling from high, diamond-mullioned windows and oily ancestral gentry peering down from the wood-panelled walls.
“Bruce, as I recall it, sat at the head of the table. He had then – and still does – one of those rare faces that combine great beauty and fierce intelligence: hazel-green eyes, high cheekbones, pale olive skin, dark brown hair stranded in the stylish appendix of the late-Sixties (think Mick Jagger in that white dress at the Hyde Park concert for Brian Jones, but without the nauseatingly self-satisfied pout). Robinson is slight and languorous – and although he has given up several times over the years, in my mind’s eye his face is always wreathed in cigarette or cigar smoke. On that occasion – I’m fairly certain – fine wines had been consumed.
“I had a riff going at the time that I thought a pretty amusing and outré subversion of male braggadocio: ‘My penis,’ I would ease into the appropriate conversational sheath, ‘is so small that I am incapable of sexual penetration – all my children were conceived by artificial insemination.’ I’m not going to deny that I believed this satiric sally might possibly appeal to the man who I considered then – and still consider to be – one of the finest satiric artists this country has ever fostered, nor will I disallow that I wanted to impress him – I still want to impress him – but what I in fact succeeded in doing was setting Bruce up for a slam-dunk. Without any hesitation he replied in his curiously hybrid accent – gusting nasally out of the Isle of Thanet, but lilting with warm southern Californian breezes – ‘My penis is so large…’ a three-beat pause to seize the graphic imagination of everyone in the room ‘…that I fear my erections.'”
Read the rest of Will Self’s interview with Bruce Robinson, director of The Rum Diary starring Johnny Depp, which is released in the UK on November 4, in the October issue of Esquire magazine.
Will Self now has an official FaceBook Page which shows the latest items posted on will-self.com and a YouTube Channel which gathers together various clips of Will from over the years.
Will’s Twitter page continues to update with the latest items on the site too, and there is a fledgling page on Google+ as well. If you prefer each item posted on will-self.com to be delivered to your email inbox, enter your email address in the signup box at the bottom of each page of the site.
The will-self.com website has had a bit of a makeover to make it cleaner and easier to read and there are now Facebook Like buttons along with other social media widgets at the top and bottom of each post on Will’s site if you want to share or bookmark it.
The Observer carries a piece featuring Will Self’s and Iain Sinclair’s forewords to the London Unfurled book by Matteo Pericoli. There is also a London Unfurled iPad app to which Will has contributed.
Will Self has contributed to Matteo Pericoli’s recently launched London Unfurled iPad app, providing commentary on Pericoli’s drawings of south London.
There is also the London Unfurled book featuring a foreword by Will if you prefer paper to iPad.
Here’s the official blurb for the app:
In 2009 Matteo Pericoli (author of the bestselling iconic book Manhattan Unfurled) made an intensive twenty-mile journey along the River Thames, from Hammersmith Bridge to the Millennium Dome and back again. Over two years later, he finished the most astonishing document of his journey: two thirty-seven-foot-long freehand pen-and-ink drawings.
Both drawings, rendered with loving and essay-like detail, are digitally reproduced in this app; together they reveal a distinct profile of London in all its glorious diversity: a dozen boroughs, nineteen bridges and hundreds of buildings, including the Houses of Parliament, Tate Modern, Battersea Power Station and the Millennium Wheel.
London Unfurled for iPad offers a unique way to discover one of the world’s most famous cities. This interactive digital edition allows you to fully explore Matteo Pericoli’s intimate drawings of the north and south banks of the Thames, from Hammersmith Bridge to the Millennium Dome.
With London Unfurled for iPad you can scroll the entire drawing seamlessly, flipping from north to south, jumping from place to place, finding famous landmarks, zooming in on its extraordinary detail and discovering over a hundred points of interest with added facts and amazing background information.
In addition, Matteo Pericoli opens up his experience of creating this inimitable work of art in audio voiceover highlights, giving an exclusive insight into the work behind London Unfurled. And two of London’s most famous cultural figures (Iain Sinclair on the North and Will Self on the South) offer their thoughts on the city’s character.
The London Unfurled iPad app is published by Pan Macmillan. You can find it in the Apple iTunes store here.
The iTunes store also has several of Will’s books available as audiobooks and iBooks – see Will Self on iTunes.
October 12: Sheffield, Off the Shelf festival
October 13: Birmingham.
October 14: Cheltenham.
October 19: Stand-up at Express Excess with Matthew De Abaitua at the Enterprise pub, Haverstock Hill, London. Simon Munnery will be on first.
October 29: Speaking at the Campaign Against the Arms Trade conference at the Conway Hall, London at 12.15pm.
November 2: A Granta event at Foyles, London.
November 5: With Matthew de Abaitua in Notting Hill. Details here.
November 21: Shakespeare & Co, Paris.
November 23: The Thunderbolt, Bristol.
November 29: Tate Britain event about the films of John Martin.
December 1: A JG Ballard-themed night with John Gray at the Festival of Ideas, Bristol.
December 12: Idler Academy event with Noel Smith.
Listen to Will Self talking about why prisons fail in the second of his A Point of View programmes for Radio 4 tonight at 8.50pm. Listen again here.
There was an unfortunate episode this morning as I was on my way back from the school run. Walking from the bus stop, I passed a sullen-looking young woman with straight black hair, wearing blue jeans and khaki jacket and a very slightly recherché nose ring – you know the kind: quite thick, such as you might see attached to a dog’s collar. In a moment of madness, I unfastened the lead from my dog’s collar and, in a move that surprised me with its poise, fluidity and sheer dash, attached it to the ring in the young woman’s nose. Then I gave it the merest of tugs and said, “C’mon, love.”
Frantic, she cast around for assistance – but this is sarf London and no one was paying any, so, sensibly, she shrugged her shoulders and trotted on behind me as I led her to the nearby cashpoint, where I told her to withdraw £100 of her own money. This she did. We next strolled companionably to the local park; here I let her off the lead with this avuncular advice: “Take that ring out of your hooter and go spend this on something that doesn’t make you look like livestock . . .”
Oh, OK, I admit it – that was a fantasy, but it’s one I’ve had so often in the past decade or so that it might as well be real. The mass mania for piercings finally seems to be on the wane – yet there are still plenty of people wandering the streets looking as if they’re pigs, or cows, or even – so many bits of metal are there shoved into their flesh – bulls nearing the end of a corrida. Particularly unsettling is the sight of a grandmotherly woman with a ring in the end of her blue-veined nose, or silvery loops through a pendulous and exposed midriff.
Still, mustn’t be ageist – or sexist; young men look just as grotesque with a face full of ironmongery. It’s a tough call as to which is more upsetting: seeing lovely young flesh so traduced, or sagging old skin so traumatised. I don’t deny that there’s an après moi component to my disapproval – when I was young I had a couple of non-essential holes put in me. The latter was done by a hippie armed with a cork, a burnt needle and a can of lighter fuel for anaesthetic purposes. Needless to say, the piercing became awesomely infected – a golf-ball-sized lump of pus that remained cinched in its silvery loop, such a dedicated follower of fashion was I. Moreover, I accept some blame for the craze. In the early 1980s I wrote the text for one of a series of books called Modern Primitives; these featured photographs of unusual piercings and pseudo-ethnic tattooing. I can’t remember what I said about this body decoration at the time – doubtless some bullshit about individuality – but I know what I want to say now: in the annals of the west’s obsession with primitivism – from Jean-Jacques Rousseau, through Henry Moore, to I’m a Celebrity . . . – nothing gets closer to being asinine than the notion that, by bashing metal through your cartilage, you connect with a more authentic mode of being.
Not, I hasten to add, that I imagine a lot of the conformist-inked or fully metalled see themselves in this light – they’re just doing their thing, man, and who am I to rust their clinking-clanking parade? It is, after all, a free world. That’s true – sort of – but there does seem to be a more than averagely large disjunction between this mode of self-presentation and the mainstream when compared with that of other subcultures.
Or, rather: if a nose ring, why not a penis sheath, or a lip plug – and while you’re at it, why not have your urethra cut out and flayed with a stoneknife in the manner of particularly austere Centralian Aboriginal tribes? To affect the widowy weeds of the Goths or the waxed sagittal crests of the punks is one thing – but the modern primitivism implied by excessive piercing and tattooing stands out because of its sheer irreversibility.
I know that’s why I got tattooed in my teens. I thought to myself: a hole in the ear will heal up, but a tattoo will never be eradicated and so I will never be able to scuttle backwards into the bourgeoisie. How wrong I was! Now, I’m a homeowner, a taxpayer and all the rest – probably because rather than in spite of the anarchist black flags inscribed on my forearm.Still, nothing encapsulates the madness of modernity better than an ill-advised bit of self-mutilation, representing as it does the deranging collision between impulse, permanence – and narcissism. Squeal, piggy, squeal!
From the Architectural Association’s weekly freesheet, Fulcrum.
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