Will Self

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The Madness of Crowds: New Year’s Eve

January 21, 2013

These are the coldest collations of the year: shards of glass tossed on the kerbstone, dressed with vomit. Nearby stands a seven-eighths empty bottle of supermarket champagne; while if you follow the straggle of pink streamers you can see beer cans lurking by the wheelie bin, tinnily jostling. The party has well and truly pooped out.

Last year there was comparatively little hoo-ha: the failure of the Mayan prophecies to come up to scratch left the credulous with sod all in the way of an apocalypse – while as for the more civic-minded, there was a mass sense of the anticlimactic: the Eve marked the end of the spectacular year of the Jubilympics, a twelvemonth of unsurpassed gloriousness and achievement, the like of which we’ll never see again in our lives, nor our children and grandchildren in theirs.

Some consolation was to be found in the ennoblements of those who had reeled, writhed, and – in the case of Sir Bradley Wiggins – fainted in coils; but for the most part, as the damp, drear 31 December merged seamlessly into the damp, drear 1 January, there was no sense that the populace were shouting and staggering from any great sense of joy, only going through the motions.

Lying in bed, in the small hours, listening to the occasional yelps of grimly enforced gaiety, I thought back to the New Year’s Eves of the more distant past. You may have gathered that I am not the most cheerful of revellers – some characterise me as the death and soullessness of any party, but it wasn’t always so, believe me. I remember New Year’s Eves before the munificent Mayoralty forced London’s transport workers to stay up all night – in those days, if you chose to revel on the far side of town, you might find yourself with a very long trek before your belated bed.

One year, sometime in the early 1980s, I ended up at a party in Rotherhithe – at that time still a wasteland of redundant docks and warehouses, its “renaissance” but a twinkle in Terry Conran’s hooded eye. And although people gyred and gibbered, there was still – come about 2am – the sense that the world spirit of dissolution had moved on. Together with a couple of mates, I left and took the long bend of the Thames for home. Crossing London Bridge, we passed by Fishmongers Hall and were just tending towards King William Street and the Bank of England, when we heard the massed slapping of marching feet.

Yes, “slapping”, because as the sound drew closer it became conjoined with this vision: around the bend of Gracechurch Street came a formation of Roman legionaries. In the lead was a standard-bearer: above his helmeted head flew the letters SPQR grasped in the talons of a rampant eagle; beside him strode the decanus, his short sword drawn, while behind them came perhaps 20 more men, all with long pila at slope-arms, burnished helmets, tunics, cloaks and dangling, jangling baldricks. We stood, slack-jawed, as the le gionaries slapped downhill on to the Bridge and headed south into the sodium-tinged darkness.

Anyone seeing such a visitation would’ve been shocked and questioning of their sanity. But what saved us from hysterics were the following facts: all of us had seen the same thing – so we knew we weren’t hallucinating (or, at least, if we were hallucinating, it was only part of that collective hallucination ordinarily termed “reality”); and then there were the legionaries themselves, who, far from having the swarthy and squat aspect expected of first-century Roman invaders, were distinctly pale and paunchy. Put simply: it was obvious that these were men dressed up as legionaries, rather than a couple of real contubernia that had somehow managed to march through a tear in the space-time continuum.

Why a group of Roman army fanatics had decided to suit up then tramp through the City was a question that could never be answered – they may have been of our era but their expressions were Caesar-stern, forestalling any inclination we might’ve had to hale them. And why do I offer up this anecdote now? Because once you’ve been part of a triumvirate who have witnessed a troop of legionaries marching through a silent London in the small, cold hours of New Year’s Day, all subsequent celebrations are bound to seem utterly infra dig.

A Point of View: Staring at the Shard

January 20, 2013

Will Self’s latest A Point of View for Radio 4 (where the Guardian reports that he is about to be named as the station’s first writer in residence) focuses on urban planning and can be read here, or heard here.

More Umbrella press

January 16, 2013

Here’s an interview with Will Self in the National Post of Canada, and another one for the Daily Beast.

Also, there’s a review of Umbrella at the NPR, which hails it as a “modernist masterpiece”, and an interview with Will here (which includes a reading from Umbrella by Will), and also a review in the Washington Post too.

Live video chat

January 15, 2013

Will Self is going to conduct a live video chat with the LA Times today at 10am Pacific (6pm GMT) about his new novel, Umbrella, and many other things besides.

Watch again here.

Umbrella – An introduction and ‘The Rules’

January 12, 2013

For US readers of Umbrella, here’s Will on how he researched his latest novel, which is a good introduction:

“Whenever I reach the end of a novel – and I mean the very end, when the second set of proofs have been corrected, and the button at the printers, for good or ill, has been pushed – I find myself plagued by a very particular and almost hallucinatory condition that I’ve dubbed – with exactitude if not felicity – ‘everythingitis’. The distinguishing feature of everythingitis – which it shares with certain bizarre mental states that afflict the overly zealous adepts of Zen meditation – is an obsessive need to review the content of the entire world, both physical and psychic, to check whether it has been incorporated into the text just completed. Are there puddles in the novel? Do adolescent girls flick back their hair at least once? And, if so, have the lobes of their ears – or lack of them – been described? I must stress: everythingitis covers everything, and as any novel that is genuinely ambitious tries to be a synecdoche of the world, so the malaise ramifies and ramifies: the novel may be set among disaffected teenagers in Zurich in 2006, but following its inexorably pathological logic, might there be a case for including at least a faint echo of the impact of the fall of Constantinople in 1453 on the Byzantine aristocracy?”

Visit the FT’s website here for the full article.

And for those who really want to drill down into the text, here are Donna Poppy’s copy editing rules for Umbrella:

  • Italic has been used for “ejaculatory” thought – that is, thought that seems to pop out from the ordinary narrative, either because of its figurative qualities, or because of its heightened emotional qualities, or both. Hence things that would normally be in italic – everything from titles to foreign words – appear in roman. Snatches of song and verse are also italicised, as are named individual letters.
  • Enclosing inverted commas are, for the most part, absent from the book. Dialogue is preceded by a short dash only when the rule’s presence is necessary to avoid confusion, ie when the speech in question is without a verb of saying or some other obvious indicator of speech.
  • Long dashes (em rules) indicate temporal shifts or mood shifts, and can be thought of as aspirations – that is, breaths – in the text. Shifts in point of view are deliberately without signals of any kind. Additionally, em rules also stand in for one or more omitted letters within a word, in the conventional way.
  • Short dashes (en rules) indicate new thoughts. If a new thought starts mid-sentence, so does the en dash – which accounts for why it sometimes appears after the closing comma in a clause. Short dashes also indicate that a line of dialogue has been interrupted or broken off – hence –? –. –! all appear.
  • ?No semicolons.

Umbrella US reviews

January 12, 2013

Grove has just published Umbrella in the States, and early reviews have been as effusive as they were in the UK last year.

The Boston Globe: “The result is page after page of gorgeously musical prose. Self’s sentences bounce and weave, and like poetry, they refract. The result is mesmerizing.”

For the full review, go here.

The Economist: “An entertaining and enthralling book … [Self] has managed to write an experimental novel that is also a compassionate and thrilling book—and one that, despite its difficulty, deserves to be read.”

For the full review, go here.

The Washington Post: “Self’s wildly nonlinear narrative offers other delights: richly detailed settings that bring the Edwardian era and mental hospitals sensuously alive, kaleidoscopic patterns of symbolism (umbrellas assume all sorts of forms and functions), and loads of mordant satire. Yes, Umbrella is a ‘difficult’ novel, but it amply rewards the effort.”

To buy a copy of Umbrella for $16.24, go to Amazon here.

On Umbrella’s US publication

January 11, 2013

This will be the first major publication of one of my books in the US that I haven’t crossed the pond for – and so salutations to my American readers; I write to you from my London fastness, tucked up snugly at the top of my 1848 house in sarf London, looking across the rooftops to where Renzo Piano’s Shard upthrusts, a teasing A la recherche de priapisme perdu. I have mixed feelings about not making it over – I am, of course, a demi-American on the maternal side, and hold a US passport, so the States is not so much close to me as engrafted. On the other hand, if I have any nationality at all, it’s Londonish, and the older I get, the less I like to stray.

Family matters ostensibly keep me here in London, but there’s also a part of me that sees the author tour – when mediated by jet fuel – as something of a solecism. Surely the entire point of being a writer is to reach people with your words, not your breath? Certainly that’s what attracted me to being a writer in the first place: what thrilled me about reading was that in the medium of the text I met with another sensibility decoupled from all contingent factors – sex, age, ethnicity, class – and so experienced the purest and most intimate comingling possible.

In my experience, meeting the writers you admire is almost always a disappointment – how can it not be? – and I wonder why it is that more people don’t feel that way. Here in the YooKay (a mostly fictional land), the old-style bookshop readings have been replaced by a myriad of book festivals, and really this is only because serried municipalities have figured out that, as desperate writers will do almost anything for no money whatsoever, it’s a cheap way of inculcating their miserable and isolate burghs with a little kulturkampf. They are immensely popular – these BritLitFests – and have become the Nuremberg rallies of the contemporary bourgeoisie. I cordially loathe most of them …

Still, at least they afford me the opportunity of reading publically to a lot of potential readers (even if most of them are there to see the latest celebrity egg-flipper, and just came along faut de mieux), whereas, apart from back in the day when I was an enfant terrible – instead of a grotty middle-aged man – my readings Stateside have mostly been to handfuls of buck-toothed teens in Barnes & Nobles marooned in out-of-town strip malls …

So, much better I stay here and do what I do best: crack on with the next book, a strange sort of sequel to Umbrella. In Umbrella, Dr Zack Busner mentions an incident with the foolhardy use of LSD in his Willesden Concept House (he says it was three years before, ie 1968, but his memory deceives him – the bad trip in fact took place in May 1970, the same day as the Kent State shootings). Anyway, I think you can probably guess the direction my wayward fictive sensibility is taking … back to the future for Busner’s next appearance in Shark.

Very best,

Will Self

A Point of View: American Ambivalence

January 7, 2013

Listen to Will Self’s latest A Point of View, on American Ambivalence, here, or read the transcript here.

Real meals: The Spaghetti House

January 4, 2013

I thought it might be a good idea to depart this year with an explosive fart rather than a whimpering burp, so I arranged to meet a young radical friend of mine at the Spaghetti House in Knightsbridge. The Spaghetti House chain seems on the surface to be an inconsequential thing: there are 12 coiling across London, dishing up pasta, pizza and the trimmings in an ambience of dark wood and off-white Artex – so far, so dull.

Indeed, after recent outings to Prezzo and Zizzi – both larger operations playing variations on the same wheat’n’sauce theme – even bothering with the Spag’ Gaff at all would seem de trop, were it not for the siege. (Apropos of Zizzi, which I wrote about a fortnight ago, the name kept bothering me – I was certain it meant something but could find no reference. Then a friend explained that “zizzi” is French slang for “little penis” and is employed in those parts as an anti-Semitic taunt. Makes perfect sense of all that chilli oil drizzling, no?)

The Spaghetti House siege began on the evening of 28 September 1975 when a Nigerian-born gunman, Franklin Davies, together with two accomplices, attempted to rob the restaurant. At that time there were only three or four Spaghetti Houses, and their managers had assembled at the Knightsbridge branch to pay in their week’s takings, which were in the region of £13,000 – pretty good dobs, really. The job went tits-up from the get-go: one of the waiters escaped and raised the alarm, while the robbers, together with nine staffers, ended up in the basement, where they remained for the next six days, under siege by the Met’s finest.

At the time, the Spaghetti House siege was huge: prime location, exotic cast and a pleasing high-tech element to the operation as fibre-optic surveillance equipment was used for the first time. Davies claimed to be a member of the Black Liberation Army – a splinter group of the Black Panthers – and tried gussying up the blag as a political act. Needless to say, neither the plods nor Roy Jenkins – the then home secretary – were having any of it, and the siege ended not with Davies and his crew boarding the plane to Jamaica they’d demanded, but instead being hustled into a Black Maria.

Fast forward 37 years and the world seems a safer place. Yes, you heard me: every era privileges itself with the cachet of being edgier than the ones before; yet standing in the Spaghetti House vestibule on a cold December evening and reading the front pages of newspapers reporting the siege that had been framed and hung there, what struck me was how much violence there’d been then –nine deaths in Northern Ireland the previous day and the IRA recently peppering the porticos of St James’s gentlemen’s clubs with machine-gun rounds. There were considerably fewer chain Italian restaurants, however, let alone ones that made a selling point out of their staff once being held hostage. I asked the smiley chap who showed me to my table what he made of the siege-as-marketing but he just laughed: it was such a long time ago!

My friend was equally unfazed – he wanted to talk about Slavoj Žižek and the Occupy movement, and savour the piquant zeitgeist rather than munch on the stale bread sticks of yore. It was understandable that the waiters weren’t keen to consider the fate of their forerunners – one grim aspect of the siege had been that Davies refused to feed his captives. This seemed harsh; if you’re taken hostage in a bank raid, it’s reasonable to expect you won’t get much in the way of eats beyond the limp biscuits left behind in a cashier’s drawer. But a restaurant? Surely it wouldn’t have mattered to the gang if the staff had whipped up a pollo e funghi risotto? 

I enjoyed mine, as the callow revolutionist opposite me tucked into a dish of pasta. I don’t know whether it was his onslaught on my middle-aged and middle-class complacency, or the surprisingly tasty nosh, but I found myself warming to the Spaghetti House and in particular to its staff – all of whom, unusually for a Italian restaurant in Britain seemed to be . . . Italian. Anyway, either they were an exceptionally chatty and attentive lot or I was suffering from the rapid onset of Stockholm syndrome. Even when I descended to the gents, the fateful basement looked pretty damn cosy.

We finished our political wrangling with an affogato apiece: a scoop of vanilla ice cream affogato – “drowned” – with a shot of espresso. I like to think Franklin Davies would’ve approved of this culinary miscegenation – although I have no reason for believing so.

Real meals have a way of provoking surreal thoughts in me – but then you knew that, didn’t you?

On Exactitude in Science

January 4, 2013

Listen to Will Self reading On Exactitude in Science by Jorge Luis Borges at the Guardian here.

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Will’s Latest Book

Will Self - Elaine
Will Self's latest book Elaine will be published in hardback by Grove on September 5 2024 in the UK and September 17 2024 in the USA.

You can pre-order at Amazon.co.uk and Amazon.com

Will’s Previous Books

Will Self - Will
Will
More info
Amazon.co.uk

  Will Self - Phone
Phone
More info
Amazon.co.uk
Amazon.com
Shark
Shark
More info
Amazon.co.uk
Amazon.com
  Umbrella
Umbrella
More info
Amazon.co.uk
Amazon.com
The Unbearable Lightness Of Being A Prawn Cracker
The Unbearable Lightness Of Being A Prawn Cracker
More info
Amazon.co.uk
  Walking To Hollywood
Walking To Hollywood
More info
Amazon.co.uk
Amazon.com
The Butt
The Butt
More info Amazon.co.uk
Amazon.com
  Grey Area
Grey Area
More info
Amazon.co.uk
Amazon.com
Junk Mail
Junk Mail
More info
Amazon.co.uk
Amazon.com
  Great Apes
Great Apes
More info
Amazon.co.uk
Amazon.com
Cock And Bull
Cock And Bull
More info
Amazon.co.uk
Amazon.com
  The Quantity Theory Of Insanity
The Quantity Theory Of Insanity
More info
Amazon.co.uk
Amazon.com
The Sweet Smell Of Psychosis
The Sweet Smell of Psychosis
More info

Amazon.co.uk
Amazon.com
  My Idea Of Fun
My Idea Of Fun
More info
Amazon.co.uk
Amazon.com
The Book Of Dave
The Book Of Dave
More info
Amazon.co.uk
Amazon.com
  Psychogeography
Psychogeography
More info
Amazon.co.uk
Amazon.com
Psycho Too
Psycho II
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Amazon.co.uk
Amazon.com
  Liver
Liver
More info
Amazon.co.uk
Amazon.com
How The Dead Live
How The Dead Live
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Amazon.co.uk
Amazon.com
  Tough Tough Toys For Tough Tough Boys
Tough Tough Toys For Tough Tough Boys
More info
Amazon.co.uk
Amazon.com
Dr Mukti And Other Tales Of Woe
Dr Mukti And Other Tales Of Woe
More info
Amazon.co.uk
Amazon.com
  Dorian
Dorian
More info
Amazon.co.uk
Amazon.com
Feeding Frenzy
Feeding Frenzy
More info
Amazon.co.uk
Amazon.com
  Sore Sites
Sore Sites
More info
Amazon.co.uk
Amazon.com
Perfidious Man
Perfidious Man
More info
Amazon.co.uk
Amazon.com
  The Undivided Self
The Undivided Self
More info Amazon.co.uk
Amazon.com
Bloomsbury  
Penguin

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