You can listen to Will Self’s latest A Point of View broadcast on Radio 4 here, or read it here.
KCRW radio interview
Listen to an interview with Will Self about Umbrella on KCRW (of Santa Monica College) here.
I love Germany
“The time comes in any upright British male’s life when he needs to have made his peace with all of the following: his homosexuality, his dress sense, and Germany. The first two of these I got out of the way decades ago (true, I still occasionally wake up in the morning and flirt with becoming a dandy for the few short seconds before the stiff denim of consciousness descends on me), but Germany has proved more problematic.
“It doesn’t help that I’m half-Jewish, although we can make too much of this. It was the great English anti-Semite GK Chesterton who observed that the Jews are like everyone else – but more so. In which case, what can English Jews possibly be like? Only like the English – but more so. Still, as we’re succouring Krauts here, best to be up front: my Jewishness hasn’t helped when it comes to my getting gemütlich in the great liberal democracy known for a period as the Third Reich.
“In Germania, Simon Winder’s magnificently crazy circumambulation – through time and space – of Germany, its history, and his obsession with both, he writes that our shunning of the country is a ‘mutilating of Europe’s culture’, and that furthermore there comes a time, surely, when we must stop allowing Hitler’s estimation of his own country to prevail, to which all right-thinking Britishers must reply: ‘Donner und Blitzen! He has a point!’
“But Winder goes further, describing Germany as Britain’s ‘weird twin’, and while I’m not sure I’m ready to fully endorse this view, I have always thought the great joy in having identical twins – were one to be so blessed – would be to subject them to unnatural psychological experiments, and perhaps Germany’s history is just such an experiment… Then again, maybe it is Britain that’s the lab rat, a still more disturbing thought.”
Read the rest of Will Self’s Esquire article here.
Nightwaves – Guy Debord
Listen to Will Self talking about Guy Debord and Situationism on Radio 3’s Nightwaves here at the 35 minute mark.
The Society of the Spectacle – introduction
Will Self has written a long introduction to Notting Hill Editions’ small and beautifully formed new hardback publication of Guy Debord’s Situationist masterpiece The Society of the Spectacle, originally published in 1967.
“Never before has Debord’s work seemed quite as relevant as it does now, in the permanent present that he so accurately foretold. Open it, read it, be amazed, pour yourself a glass of supermarket wine – as he would wish – and then forget all about it, which is what the Spectacle wants.”
You can buy a copy for £10 from the Notting Hill Edition website here.
A shorter, edited version of Will’s introduction can be read here at the Guardian Review.
You can also watch The Society of the Spectacle film from 1973 here:
A Point of View: Rebuilding after 9/11
Listen to Will Self’s latest A Point of View tonight on Radio 4 at 8.50pm here.
Real meals: Mr Bartley’s Gourmet Burgers
On the dockside in Boston I spotted Fia’s Seafood – they were offering “twin lobsters” for $28.95; I ventured in and asked if the lobsters were identical or non-identical twins. “Why d’you wanna know?” the maître d’ snarled. “Because,” I replied, “I can only perform unnatural psychological experiments on them if they’re zygotic.”
The president was in town for a speech and the area around the State House was fraught with security: state cops on cliché Harleys, FBI agents in cliché letter jackets, and, most intimidating of all, those excessively polite men in pale yellow raincoats with pig’s tail antennae dangling from their ears. I gave them all a swerve and took the Red Line into Cambridge.
Sometimes it seems to me that the relationship between American society and its fast food is as close as that of … well, identical twins. Foreigners writing on US gustatory habits have always understood the cafeteria and the lunch counter as the extension of the production line into the stomach. If you haven’t already, take a look at Louis-Ferdinand Céline’s ecstatically enraged depiction of American fast food in his 1933 novel, Journey to the End of the Night.
Emerging into the darkness of Harvard Square, I also gave the raggedy man standing by the subway exit a swerve. (His sign read “Looking for a Little Human Kindness” – how corny can you get?) The street folk were thronging about Starbucks, homing in like zombies on its smell-a-round of deceit – the odours of bread, pastry and roasted coffee that as one enters are dissipated by the cold winds of commercial calculation. In the lift down to the basement I sighed as I tapped my receipt code into the console. “They gotta do it,” an academic-looking type said, “else the homeless people trash the restrooms – they smear shit on the walls – I guess they’re really aggrieved.” I gave him an admiring glance and said, “Nice use of ‘aggrieved’.”
Back on the surface I passed by the Bridge Over Troubled Water trailer – “Reaching Out a Helping Hand to 16-24-Year-Olds” – before coming upon Mr Bartley’s Gourmet Burgers, a Boston landmark – or so its sign asserted – since 1960. Inside, the tables were covered with wood-grain laminate and the chairs were of the green plastic, lawn variety. A waiter with a T-shirt that read – wholly in innocence – “We Beat the Meat” showed me to a table. Looking around me, I saw that this was an establishment dominated by what Walter Benjamin characterised as the “vertical type” of modern consumerism: hokey old advertisements for Chesterfield cigarettes; triangular road signs that showed stick figures crawling on their knees towards beer glasses, and that were captioned “STUDENTS CROSSING”; over several tables there were small signs that said “Johnny Cash Ate Here”, or “Robert Plant Ate Here” – claims I didn’t doubt for the thousandths of a second necessary for a computerised trading system to make a ruinous interest-swap.
Mr Bartley’s menu was equally diverting; the standard seven-ounce burger came in a plethora of guises. The Obamacare was glossed thus: “Nobody knows what’s in it … ask the liberal sitting next to you”, and costed at: “$ Trillions”; while the Fiscal Cliff – “it’s here!” – was rather more optimistically priced at $13.85, for which you got crumbled bacon, blue cheese, red onion, balsamic vinegar and additional onion rings. I wish I could tell you I ordered a Mark Zuckerberg (“America’s richest geek, Boursin cheese and bacon with sweet potato fries”), which was a snip at 13 bucks – but, strange to relate, my sense of humour seemed to have deserted me. While I sipped my Coke and chewed on my standard Mr Bartley’s cheeseburger (the only novelty being that I opted for provelone) I stared about me at my fellow preppies, who, to a man and a woman seemed to be channelling Ryan O’Neal and Ali MacGraw in those early scenes of Love Story – before the crab bites.
Lucky us. Out there in the streets the chill winds blew along Massachusetts Avenue and our brothers and sisters were dunking in the trash cans for discarded donuts. As I say, I often feel that American society and American fast food are twins separated at birth; and while one has been fed on 100 per cent ground beef and French fries cooked to a golden perfection, the other has been starved, beaten and otherwise degraded. It’s an unnatural psychological experiment – nonetheless I’m sure you’ll agree that it has to be done.
The Long Drop – a new short story
A Point of View: Behind the hijab
Real meals: Jamie Oliver’s Diner
Jamie Oliver – like the poor he so adores – seems always to be with us; to be with us and to have been with us always as well, although it’s only 14 years since he first thrust his meat and two veg at us in the television series The Naked Chef. Since then, not a year has passed without some new Oliver production: cookery books, more TV, many Sainsbury’s advertising campaigns, restaurants, delicatessens, food product ranges and latterly a number of campaigns aimed at improving the eating habits of the nation, specifically its children.
Not content simply to gnaw the mound of bread he’s accumulated by giving supermarket endorsements, Oliver has committed himself to spreading the wholesome word: his Fifteen chain of restaurants aims to give a break to young folk who’re broken, by delinquency, addiction and poverty, by inserting them into the food industry as sous-chefs and so vastly improving their life chances.
It’s this combination of shameless avariciousness and a belief in the drizzle-down of oily emolument from the top to the bottom that makes Oliver the personification of modern Britain. If Terence Conran plummily taught the middle classes how to be a proper European bourgeoisie in the 1960s, 1970s and 1980s, Oliver is his worthy estuarine successor, taking the permanent foodie revolution on to that portion of the former working class who bought up the public-housing stock. Now they can borrow against their equity to buy bruschetta, while the poor saps who didn’t get their plutocratic act together poke Turkey Twizzlers through the school gates to feed their morbidly obese cuckoo kids.
Needless to say, Oliver sticks in my craw and I’d walk a cunty mile to avoid him and all his works. What this society needs is a culture that values its eternal soul above its lemon sole and a form of social justice that doesn’t depend on the tit-beating self-righteousness of charity – with all the patronising bullshit that goes along with this. Still, I don’t expect Oliver to have a Damascene conversion on these matters, not while he’s doing such a lovely jubbly.
Between the liverish columns of the brutalist former bank building at the end of Shaftesbury Avenue in London, a new outpost of Oliver’s army has been established: Jamie Oliver’s Diner. Unlike his delis and his Italian (sic) restaurants, the “pop-up” diner does indeed have a surrealistic, thrown together feel, like the chance meeting between a hand-held card reader and a PR wonk on a conference-room table.
“I know,” some bright spark must’ve said, “let’s make it a themed western dinosaur burger joint!” And verily, it was so, complete with a triceratops meat chart on the wall and weird glyphs on the ceilings that show cowboys and dinosaurs peacefully cohabiting in the sagebrush. There are hortatory slogans painted along the architrave: “Gorgeous food cooked with love and care”; “No porkies, just free-range meat”; and – most heartening, this – “If it’s not eaten, it’s composted.”
My two velociraptors had standard seven ounce burgers with various bits and pieces, Mrs Tyrannosaurus (who doesn’t usually attend these reviewing meals) went for a chicken burger and I had the Caesar salad. The food was nothing special: Mrs T said her burger tasted bitter; the bit of grilled chicken on my salad was just that – a bit about two by three inches and as wafer-thin as Mr Creosote’s mints. The boys were pissed off by the cardboard straws in their Cokes, which were weirdly absorptive. The fries, naturally, came in those dumb little zinc buckets. With “home-made” lemonade for me, a Bacardi and Coke for Mrs T and a tenner tip, the whole schmozzle cost 20 quid more than the weekly Jobseeker’s Allowance.
On the back of the paper menu, together with recipes for cocktails called Cucumber Number and Dark’n’Stormy, there’s a chirpy little missive from Jamie himself, wherein he witters on about “great food values and ethics” and “sustainable and local ingredients”, all of which leads inexorably to “yummy healthy dishes”.
There’s also a sidebar entitled “A word about nutrition”, in which the usual guff about calories and saturated fats takes on the air of a pious homily. Jamie says: “The beauty of being a pop-up is it gives us loads of flexibility to listen to what you guys want, so please let us know.” To which I can only respond: do please pukka off with your millions to Necker Island with Branson and leave us in peace, matey.
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