Will Self

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Real meals: Me and my (subversive) spoon

October 2, 2015

Yup, you read me right: one of the “names” the Kellogg’s website actually suggested that punters might like to personalise their free cutlery with was . . . Butt Munch.

There was, for a while, a certain amount of tension; then it faded, as tension does. We’re all experimental animals, really, subject to vivisection by means of a scientific method we ourselves promulgate. The electric plate is charged, we yelp and try to struggle over the wall – but once we realise our struggles are futile we collapse, and lie whimpering as we’re subjected to shock after shock.

We collected the tokens assiduously, even though it entailed visiting several corner shops, often late at night, and rummaging through dusty shelves under the sleepy lenses of duff CCTV cameras. Why? Because such is the parsimony of the mighty Kellogg Corporation that it can afford to be capricious: an offer will be proffered – then, without warning, the free-gift-bearing hand will be retracted, as if it, too, has been subjected to an electric shock.

Anyway, at last we had the three tokens required and we sat down in front of the computer and logged on to the mandated site. I wrote in this column in May that my 13-year-old son and I had leapt at the Kellogg’s “personalised spoon” offer, our only desire to have a spoon engraved with the legend “WHICH ORIFICE? YOUR CHOICE”. But when we saw the options on offer we were dismayed; “personalising” turned out to mean branding your name on the eating iron, not using its steely surface as a sort of miniature toilet wall on to which you could graffito such off-colour remarks. We scrolled through the names on offer, hoping against hope we would find something that approached the sentiment we wished to convey – and then, miracle of miracles, there it was: Butt Munch.

Yup, you read me right: one of the “names” the Kellogg’s website actually suggested that punters might like to personalise their free cutlery with was . . . Butt Munch. My boy and I goggled at the screen until the pixels began to pop, crackle and snap before our eyes. Who in the mighty Kellogg Corporation had authorised this bizarrely subversive insertion, in between all the Keishas, Kellies and Kevins? We goggled at the screen some more, half expecting the letters to waver and dissolve into a sweet and milky sludge. Not a bit of it: Butt Munch remained on the table. So we selected it, entered our postal address, clicked the button, sat back, and waited.

And waited . . . and attended some more. My son was of the opinion that the Butt Munch was the work of computer hackers. After all, it was simply beyond belief that Kellogg’s, with its ethical roots sunk deep in the socially conservative soil of Seventh-Day Adventism, could sanction the idea of people munching on butts – let alone actively promote it. You’ll recall that even the tolerant and sexually adventurous Molly Bloom in Joyce’s Ulysses, when awakened by her husband indulging in a little late-night butt-munching, is rather . . . shocked. It’s one thing for fictional characters to practise butt-munching in the privacy of their own home – quite another for breakfast cereal consumers to have such perversions urged on them from the handles of their spoons. Besides, Kellogg’s has its dietetic reputation to uphold. Seventh-Day Adventists are much preoccupied by the health of the “whole person”, and the company was established in part to disseminate notions of healthy eating. Now, even though butt-munching isn’t necessarily unhealthy, nor is it holistic: for that, you have to munch the “whole person”.

As we continued to wait for our subversive spoon – May ladled into June – still it didn’t come. I never thought it would, because whether the “Butt Munch” option was deliberately offered by a maverick employee, or maliciously by an infantile nerd wearing a V for Vendetta mask, there was no way several Kellogg’s staff were going to collude in making and despatching it. I set to one side the vision that had originally animated our quest: my descendants, many years in the future, staring bemusedly at the faint inscription on their inherited cutlery. I got on with my life – it was a disappointment, true, but no more of one than realising Ronald McDonald isn’t a really funny clown but a cynical advertising tool. I went to Australia and travelled deep into the Outback, visiting remote regions where few proper spoons, let alone personalised ones, are ever seen, and the sparse local population has to eat its Rice Bubbles with cumbersome, makeshift tools beaten out of bits of corrugated iron.

Then, upon my return, there it was! A visitation! A miracle! A beautiful red cardboard box with a transparent cellophane panel in it, through which could be seen the slim, shiny handle of a spoon – and on this handle the delightfully suggestive appellation “Butt Munch”. The packaging alone was a provocation to lust, resembling as it did silky, translucent lingerie. Soon enough I’d torn it off and was feverishly caressing my new spoon.

I grew still more fervid when I turned the insurrectionary implement over and saw “Kellogg’s®” engraved on the back of the handle. So there they are: a puerile invocation to sexual activity and a multinational snack-maker, united for ever in a spoon. What a joy it is to be alive in Jeremy Corbyn’s Britain.

Stacey Solomon: ‘what a lovely young woman’

September 19, 2015

When the first British series of Big Brother aired in the early 2000s, the commentariat fell over each other’s Hush Puppies to condemn this storming of the cultural gatekeepers by Essex girls and Scouser boys intent on fame at any cost. As the Observer’s TV critic at the time, I was among these Cassandras, all of us reaching into our grab-bag of quotations to pull out the same, shopworn one by Warhol: “In the future everyone will be world-famous for 15 minutes.” We decried the way Peter Bazalgette, the boss of Endemol, the production company that had developed the format, was severing notoriety from renown once and for all so that the talentless could take their place on the winners’ podium. Those of us who had wasted our youth on cultural theory went further, calling our readers’ attention to Guy Debord’s characterisation of “spectacular fame” in his collection of Marxist-Zen koans The Society of the Spectacle.

Writing in the late 1960s with uncanny prescience, Debord described an overlit realm of mediatisation, within which politicians wish to be known for their jokes and the political opinions of comedians are accorded great reverence. For Debord, so-called “spectacular” notoriety was the logical consequence of late capitalism’s relentless drive to commoditisation: the spectacular celebrity is a brand with a product line of one: themselves. Which brings us, fairly logically, to Stacey Solomon. I confess, I wasn’t overly familiar with Ms Solomon before I decided to write about her, but I’d noticed her popping up on television screens in the periphery of my vision – and what struck me about her was quite simply this: what a lovely young woman.

She is witty, self-deprecating and obviously smart in an offbeat way, something she transforms into charm with ditsyness, so as to neutralise those inclined to dismiss young, working-class women out of hand. She is also very attractive – although, again, in an unconventional way, resembling as she does one of the Supermarionation dolls used in Gerry and Sylvia Anderson’s popular TV series Thunderbirds. This likeness has a further significance: Solomon seems to have been fashioned by a creator with a specifically television-cum-pop career role for her in mind. Debord was a snob and a narcissist; he claimed to be one of the last people alive to possess “non-spectacular” fame. Since his suicide in 1994 he has been known chiefly as a sort of intellectual stylist, supplying hipsters with off-the-peg ideas they in turn pass off as bespoke.

By contrast, Solomon may appear to be just another oxymoronic television personality, but the truth is that she is an exemplar of a new kind of crowdsourced fame, whereby talented young people who would never otherwise get the breaks end up occupying the commanding heights of the entertainment industry. Some people regard Bazalgette’s suzerainity of the Arts Council as a grotesque solecism but, for my money (and let’s face it, “money” is the operative word here), he deserves the sinecure for his pioneering work on novel notoriety.

Solomon came third in the sixth series of The X-Factor (or possibly sixth in the third series); either way, she achieved this because she can actually sing; but she probably never would have got the breaks as a performer in a music industry where the loss of recording revenue has utterly transformed the conventional methods of recruitment. Her fame was further compounded in 2010 by winning the popular testicle-munching tournament I’m a Celebrity … Get Me Out of Here – once again, it is unlikely she’d ever have been allowed her own dressing room (complete with locking door) in that innocent era when Jimmy Savile was the face of British light entertainment.

In the early days of reality television the Great British Public had yet to grasp fully what was required of them. Telephone voting systems were at once crude and subject to mass feverishness. Early “reality stars” such as Jade Goody and “Nasty” Nick were rough prototypes of the Stacey Solomons to come. Yes, yes, I know Solomon advertises the supermarket chain Iceland, and hosts such cosmic clunkers as Top Dog Model, but you’ve only to see her being interviewed by typically “talented” TV presenters such as Jonathan Ross and Eamonn Holmes to appreciate the difference. If these folk have any ability at all, it’s for simulating the very naturalness that is Solomon’s birthright – she is the single mother from Dagenham they’re all trying desperately to be. Figuratively speaking, that is.

There’s an argument that the sort of criticism-by-committee afforded by the new, bidirectional digital media is inimical to the cultivation of the high arts. No doubt Á la recherche du temps perdu would be unlikely to garner that many Amazon five-star reviews were it to appear now in ebook form. But television presenting is a quite different skill from modernist novel-writing – in the latter, validation is achieved through posterity; in the former, by ephemerality. Of course Solomon’s shtick will seem dated in a decade’s time, but that is only the way it should be. Besides, as we grow older, the go-round of popular culture seems to revolve faster and faster. I, for one, would collapse through giddiness, were it not for my occasionally spending a few minutes with the evanescently down-to-earth Stacey.

Real meals: Red Ochre Grill

September 17, 2015

The atmosphere in the Red Ochre Grill is distinctly chilly – not exactly what you would expect in the middle of a desert. There was an early-bird discount of 20 per cent for guests of the attached hotel, if you booked before 6pm for a table before 7pm; but we screwed up by 15 minutes and the maître d’ was emphatic: we’d have to pay full whack. Now I’ve been sitting over the remains of my kangaroo and macadamia salad for a full half-hour, waiting to pay the inflated bill, and my temperature has been plummeting the while. There’s nothing more real than this sort of tourist gouging – and Alice Springs is a tourist town, among other things. A tourist town serviced by tourists: mostly backpackers, most of whom in turn are from Britain.

Last night in Casa Nostra, a Calabrian restaurant sited on the parched banks of the Todd river (it flows about once in an average lifetime), we were served by a nice young man from Aberdeen, and the many miles between the Grey City and the Red Centre were eliminated by his opening remark: “I read something you wrote recently about Scots independence. I myself am not in favour.” Then this morning, at a café in the mall, he popped up again – working a second job, this time with his Edinburghian girlfriend, so they can gather a sufficient sum to keep on truckin’.

All down the Stuart Highway (known colloquially as “The Track”) from Darwin, we’ve been waited on by young folk from East Grinstead and Letterkenny, Dewsbury and Great Malvern. They come on working visas, not available to the nationals of countries that aren’t either historic (Britain) or contemporary (United States) overlords of Australia, and work these jobs out in the back of Bourke, where young Australians are loath to go. To the backpackers the Outback is a mythic realm suffused with wonder, presided over by an ancient people steeped in sorcery who are also wizard at graphic arts – but to most young Australians it’s too much of nothing, while their largely deracinated and welfare-dependent Aboriginal fellow citizens are a source of perplexity, shame and ignorance.

All this is running through my mind as I ask the waitress where she’s from. “Israel,” she replies.

“Ah,” I say, “I didn’t know you could get a working visa for Australia on an Israeli passport.”

“You can’t,” she says, “but my parents are American and I also have a US passport.” Of course it’s not this young woman’s fault in any way, but there is still something slightly nauseating about this: the Americans have a spy base outside Alice, called Pine Gap. So it is that geostrategic “considerations” and neoliberal “economics” vibrate through the rudaceous rocks of the MacDonnell Ranges as our elders sing up a nightmarish dreamtime.

“Ah, well,” I say, “you must be used to desert country, then.”

“Ye-es,” the Israeli waitress bridles a little, “but Israel isn’t as desert as here.”

One of the many great things about Australia – where I’ve spent a fair amount of time over the years, my first sojourn being on a working visa exactly like the waitress’s – is a genuine, if slightly abrasive egalitarianism: the original Digger mentality of mateship suffuses even the 21st-century globalised food industry, such that tipping is frowned on as shameless evidence of a de haut en bas attitude. These young folk are being paid adequately by the establishment, but that’s the problem: they have no incentive to get the tucker to the table quickly, and they aren’t trained. Thus my long wait for the undiscounted bill has become tangled up in my mind with all the world’s woes, and I snap back: “I’ll thank you not to lecture me on geography, young lady. Your state has been snaffling up deserts throughout my lifetime, beginning with the Sinai. Granted, its most recent acquisitions have been relatively piecemeal ones on the West Bank of the Jordan, and only semi-arid, but still . . .”

Later on, my eldest takes me to task for this solecism, bringing the misfortunes of the Middle East into the heart of the great southern continent, but I am unrepentant. True, the parallels aren’t exact, but both Israel/Palestine and Australia are polities that have pursued the old colonialist agenda under modern dispensations; both are states in which there’s a grotesque disparity between the conditions in which the indigenous people survive and those that the expropriating incomers enjoy. The Red Ochre Grill, with its pseudo-gourmet dishes confected out of “native” ingredients (emu, kangaroo and camel meat mostly), is a perfect instance of this phenomenon, a sort of gustatory colonialism, if you will.

Outback of the restaurant, in the sandy slough of the Todd river’s bed, the “Long Grass people” – Aboriginals bushed by the grog – stand in for benighted Palestinians. The rates of alcoholism among them are eclipsed only by those of diabetes. An old Australian friend in Darwin put it to me thus: “As you drive south to the Alice you’re travelling along a broad highway of renal failure.”

True, from time out of mind all sorts of holidays have been taken in other people’s misery. Yet there is something particularly queasy about whites working away in the well-appointed restaurant while, out in the darkness, welfare-dependent blacks are killing themselves with Coca-Cola.

‘Corbyn could last a matter of weeks’

September 16, 2015

Will Self discusses Jeremy Corbyn with Matthew Parris on Channel 4 News.

Newsnight discussion

September 11, 2015

You can watch Will Self on Newsnight discussing the Queen, at about 24 minutes in, here.

PM interview

September 7, 2015

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Will Self talks to PM’s Mark Colvin to discuss the state of serious publishing.

Tea with Oliver Sacks

September 4, 2015

Read Will Self’s tribute to the late Oliver Sacks in the Guardian here. You can also read Will’s recent review of Sacks’s autobiography, On the Move: A Life here.

Croydon – strange, poetic and beautiful

September 2, 2015

Will Self on Croydon and the suburbs, promoting the Doughnut festival on Saturday in Greenwich.

Will has also written a comment piece in icon magazine, “Who are the outer Londoners?”.

Radio National interview

September 1, 2015

Listen to Will Self in conversation with Michael Cathcart during the Melbourne writers festival here, taking in Shark, the future of the novel and much else besides.

‘Frankly, Australian cities don’t interest me’

August 29, 2015

An interview with Will Self in the Sydney Morning Herald can be found here.

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Will’s Latest Book

Will Self - Elaine
Will Self's latest book Elaine will be published in hardback by Grove on September 5 2024 in the UK and September 17 2024 in the USA.

You can pre-order at Amazon.co.uk and Amazon.com

Will’s Previous Books

Will Self - Will
Will
More info
Amazon.co.uk

  Will Self - Phone
Phone
More info
Amazon.co.uk
Amazon.com
Shark
Shark
More info
Amazon.co.uk
Amazon.com
  Umbrella
Umbrella
More info
Amazon.co.uk
Amazon.com
The Unbearable Lightness Of Being A Prawn Cracker
The Unbearable Lightness Of Being A Prawn Cracker
More info
Amazon.co.uk
  Walking To Hollywood
Walking To Hollywood
More info
Amazon.co.uk
Amazon.com
The Butt
The Butt
More info Amazon.co.uk
Amazon.com
  Grey Area
Grey Area
More info
Amazon.co.uk
Amazon.com
Junk Mail
Junk Mail
More info
Amazon.co.uk
Amazon.com
  Great Apes
Great Apes
More info
Amazon.co.uk
Amazon.com
Cock And Bull
Cock And Bull
More info
Amazon.co.uk
Amazon.com
  The Quantity Theory Of Insanity
The Quantity Theory Of Insanity
More info
Amazon.co.uk
Amazon.com
The Sweet Smell Of Psychosis
The Sweet Smell of Psychosis
More info

Amazon.co.uk
Amazon.com
  My Idea Of Fun
My Idea Of Fun
More info
Amazon.co.uk
Amazon.com
The Book Of Dave
The Book Of Dave
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Amazon.co.uk
Amazon.com
  Psychogeography
Psychogeography
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Amazon.com
Psycho Too
Psycho II
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Amazon.co.uk
Amazon.com
  Liver
Liver
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Amazon.co.uk
Amazon.com
How The Dead Live
How The Dead Live
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Amazon.co.uk
Amazon.com
  Tough Tough Toys For Tough Tough Boys
Tough Tough Toys For Tough Tough Boys
More info
Amazon.co.uk
Amazon.com
Dr Mukti And Other Tales Of Woe
Dr Mukti And Other Tales Of Woe
More info
Amazon.co.uk
Amazon.com
  Dorian
Dorian
More info
Amazon.co.uk
Amazon.com
Feeding Frenzy
Feeding Frenzy
More info
Amazon.co.uk
Amazon.com
  Sore Sites
Sore Sites
More info
Amazon.co.uk
Amazon.com
Perfidious Man
Perfidious Man
More info
Amazon.co.uk
Amazon.com
  The Undivided Self
The Undivided Self
More info Amazon.co.uk
Amazon.com
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