Will Self

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Dissolving the matrix

February 23, 2006

Psychogeography 1

I’ve taken to long-distance walking as a means of dissolving the mechanised matrix which compresses the space-time continuum, and decouples human from physical geography. So this isn’t walking for leisure – that would be merely frivolous – or even for exercise, which would be tedious. No, to underscore the seriousness of my project, I like a walk that takes me to a meeting or an assignment; that way I can drag other people into my eotechnical world view. “How was your journey?” they say. “Not bad,” I reply. “Take long?” they enquire. “About 10 hours,” I admit. “I walked here.” My interlocutor goggles at me; if he took 10 hours to get here – they’re undoubtedly thinking – will the meeting have to go on for 20? As Emile Durkheim observed, a society’s space-time perceptions are a function of its social rhythm and its territory. So, by walking to the meeting I have disrupted it just as surely as if I’d appeared stark naked with a peacock’s tail fanning out from my buttocks while mouthing Symbolist poetry.

My publishers were holding a sales conference in Eastbourne and I agreed to go along and address the bourgeforce. I decided to entrain from Victoria to Lewes and then walk the South Downs Way for the final 22 miles. This would be a nostalgic walk, putting myself securely back in my father’s world of pipe-smoking, grey flannel trousers, chalk downlands, Harvey’s bitter, Bertie Russell, nudism, the Peace Pledge Union … Gah! Christ! … I can’t breathe in this interwar period … I’d better come up for air. Even though, nominally, I was born in 1961, my father made sure that I too was raised in the interwar period, and we roamed the South Downs a great deal together during my childhood. “It seemed perfectly natural,” said the minicab driver who took me from Lewes station to the start of the walk, speaking of his own ambulatory upbringing … but I’m getting ahead of myself.

As I consulted maps and timetables at my desk in London, I found myself faced with a dilemma. On the day, should I wait for the branch-line train from Lewes to Southease, where I could join the South Downs Way, or should I gain a half-hour by taking a cab there? I dislike cars more than trains – they con their autopilots with the illusion of freedom – but half an hour is significant when you’re pushed for walking time. I thought about the options for two long days, then called Talking Pages.

Talking Pages had been absorbed into the great telephone-answering gulag known only as “118”, so doubtless my call was answered by a Mongolian former yak herder, deep in the Altai Mountains. I pictured the call centre wedged like a corrugated spacecraft in some dusty gully. Inside, bandy- legged men in traditional dress slouched about on leather cushions, watching antediluvian videotapes of Police Five, in order to assimilate the social mores of telephone-banking customers in the Potteries. A once-proud nomad, doing a passable imitation of a Staffs accent, gave me a choice of three minicab companies that served the Lewes area.

Naturally, the first two I called turned out to be located in Brighton, despite their Lewes exchange numbers. And no, they couldn’t answer my distinctly local enquiry about the time it takes to drive to Southease. The third company was different. They were located right inside Lewes station, and yes they knew the area intimately. The Controller spoke as if every one of his drivers had – like some humanoid nematode – filtered the very earth of Sussex through their bodies. The Controller assured me the drive would take mere minutes, so I booked the cab.

The next morning was bright and clear. Sunlight flashed off the braces of orthodontically challenged teenagers who boarded the train at Plumpton on their way to school in Lewes. After detraining, I was so high with anticipation that it wasn’t until the cab had gone about 200 yards in the wrong direction out of Lewes that I pointed it out to the driver: “I want to be on the east side of the Ouse, at Southease Station.”

“No problem,” he breezed. “I’ll drop you down a track on this side and you can cross the river on the swing bridge.” Then he went on about his childhood, engendering such a warm feeling of mateyness in me that I over-tipped the sly fellow.

In fact, he’d dropped me outside Rodmell, over two miles from where I wanted to be. As I puffed along the track, my pipe sending up great clouds of smoke from the Presbyterian tobacco stuffed in it (a blend introduced to Stanley Baldwin in 1923 by the future Moderator of the Church of Scotland), I saw in the mid-distance the little two-carriage train stopping at Southease station. Now, no matter how hard I walked for the rest of the long day, I would still be lagging behind. The sinuous Downs, the soaring Seven Sisters, the majestic Beachy Head, all suddenly concertinaed into the space between two low-firing synapses in the lazy minicab driver’s mind. Machine Matrix – one, Psychogeographers – nil. I could hear Durkheim’s low and evil laughter in my inner ear; not a pretty sound.

Illimitable Australia

February 23, 2006

Psychogeography 110

You left me last week in a playground on the esplanade at Cairns in Northern Queensland. I say that with some authority, but the truth is that I left you sitting at your kitchen table reading about me and my four-year-old swinging in the antipodes, whereas in fact I was in frosty south London. I still am – that’s psychogeography for you. Like some bizarre typing bee, I like to store up my memories of hotter, sunnier climes so that I can write about them through the long, crepuscular winter days.

Although it was none too bright in Queensland last August. That close to the tropics there are only two seasons: wet and dry. But displaying an unrivalled flair for the holiday cock-up, we’d managed to decamp around the world only to find ourselves sloshing about in the wettest dry season on record. Not that the Australians were perturbed by this climatological anomaly; they chose to see it as just that, rather than sinister evidence of global warming.

One night, sitting on our dripping verandah, we were lectured by a local science teacher on the vast span of the continent’s geological history. He told us how an ocean once separated the eastern and western halves of Australia, while a land bridge connected the northern coast to New Guinea. To listen to him talk – discoursing on antediluvian inundations and prelapsarian droughts – I got the impression that he himself had been present in the Jurassic, wandering the rainforests of Gondwanaland, a rampant bore in pursuit of tiny-brained diplodocuses.

We, on the other hand, couldn’t help but see the shitty weather as a timely smack delivered by Mother Nature. We should never have squandered our carbon allowance for the next 20 years, jetting 12,000 miles to see the Great Barrier Reef and in the process helping to speed its destruction. We only managed to get out to the reef once, and even then the wind-tossed waves had churned up too much sand for us to see much besides the flapping fins of the snorkeller in front. True, from the dive boat on the trip back to shore we did see migrating humpback whales, but their tail fins looked to me like two massive fingers stuck up in our general direction.

After a week or so of this Australian water torture we could take it no more. We loaded up the people carrier with little people and set off for the Atherton Tableland. Beyond these mossy green hills, the great semi-arid plain of Central Australia opened out. There would be sun, there would be heat, all our illusions would be burnt away and we would face the true and authentic Australia. Up we wound through dripping, lush farmsteads, where the Friesian cattle grazed incongruously beside palms and tree ferns. We stopped for a damp sandwich at Milla Milla Falls and then headed on, the windshield wipers carving slices of bitumen out of the greenish blur.

We were a few clicks past Revenhoe and heading downhill on the Kennedy Highway when it happened all at once: the rain ceased, and the convolvulus of the rainforest – which had been retreating for a while – was replaced by the regular stippling of eucalyptus, row upon row of straight trunks shading the dips and runoffs of the semi-arid landscape like charcoal marks. The metalled road stuttered then gave out, to be replaced by a corrugated track of red dust; and there, lumbering towards us like a dinosaur of the carboniferous era, was our first road train.

As soon as it had pummelled past I slewed the people carrier over to the side of the track and rousted the family out. “This is it!” I cried. “This is the true and authentic Australia! Look at that,” I gestured at the too much of wilderness, “it spreads from here all the way to West Australian, thousands of miles! It goes on forever!”

“You go on forever,” snapped a surly adolescent, before replacing his earphones and crawling back into the car.

We ended up that evening sleeping in a defunct railway carriage which had been converted into a tourist chalet. This was at something called the Undara Experience, a faux “bush camp” sighted on the edge of the Undara Volcanic National Park. We had dinner at Fettler’s Iron Pot Bistro, and the breakfast the following day at the Ringers’ Camp. It was all deliriously inauthentic, from the “billabong-style” swimming pool to the grotesque didgeridoo class held by some inner-city refugee the following evening. Even the wallabies and kangaroos lolloping through the bush were there under sufferance; on any real cattle station they’d have been shot on sight.

But I didn’t care, I kept dragging the kids hither and thither, thrusting their pimply snouts into the illimitable, as if I could somehow get them to consume this vast hinterland. After a while they did begin to appreciate it – all except the four-year-old that is. He said he’d rather go to the playground again, even if it meant getting chomped by a saltie.

At The Blackrose Netcafe

February 2, 2006

I’ve been working all morning on the stage adaptation of my 1993 short story ‘Scale’, which appeared first in the literary magazine Granta and latterly in my collection ‘Grey Area’. Ostensibly the tale of a man with a severe DIY opiate addiction, living next to a model village, ‘Scale’ is perhaps my most Borgesian of stories, in that I tried to incorporate within it 5,ooo-odd years of human history (massive time scale), and every known literary genre – oral ballad, free verse, academic thesis, thriller, stream-of-consciousness &c. Naturally, there are also myriad plays on all the available senses of the word ‘scale’: kettle, music, lizard, bathroom &c. When I was writing it I gloried – as we monoglots all must – in the rich synonymy of the English language.

The idea that some thirteen years later I’d be rewriting the story would, at the time of its original composition, have filled me with an unspeakable horror. But then in those days almost anything filled me with an unspeakable sense of horror. I’ve tried to introduce into the stage version, as well as a few characters, a more plangent satire on the nature of temporal periods – eras, decades, modes, what you will. It seems to me that the contemporary era is characterised, in part, by both its relentless ephemerality and its desire to crystallise into readymade epochs – the 60s, the noughties, the Punk Era, whatever. In truth, we’re uncomfortable with the phenomenon of the recent past; everything must either be reassuringly encapsulated, or subsumed to the ever-becoming present. (To hijack Morrissey: ‘How Soon is Now?’.)

At once hoping to buck this tendency – and lambast it – I’ve set ‘Scale: The Play’ in the year it was conceived of – 1992 – and larded it with ‘period’ detail, right down to having a classical ensemble on stage, which plays the debased, ecstasy-inspired music of the time – Shamen, KLF, whatever – scored for strings and sung by a mannered soprano. There are, naturally, extensive quotations from John Major’s speech to the Conservative Party Conference of that year, in which his dweeby triumphalism is juxtaposed with appeals for more service centres on British motorways (this was just after the M40 extension to Birmingham had opened, and as yet there was nary a service centre the entire 86 mile length of it. This, indeed, was the comic ‘hook’ for the story: all of that time, all those styles and modes and meanings are compressed into the time between the Major Speech and the opening of the Cherwell Valley Services.) I hope the producer likes it.

Arising from this reverie of the recent past, I leave my house, walk up past the Stockwell Bus Garage, turn past Stockwell Tube, worship for a few moments at the shrine to Jean Charles de Menezes, the Brazilian electrician gunned down by the Metropolitan Police’s SO19 Firearms Unit in July of last year, and then troll on into my own recent past. Or rather, into my own increasingly distant past – if only it were recent.

I first got to know this scumbered and unlovely stretch of the Clapham Road back in the 1980s – round ’85 to be precise. I was an up and downing young junkie, covered in scabs and charity shop tweed. Through the woman I’d first started using heavily with, I was introduced to a number of people who dealt in the large terrace of Edwardian flats (there is an enigmatic ‘1916’ inscribed over the highest pediment), which runs from Lingham Road up towards Clapham. At that time the flats were run down, many of them squatted, and there were travellers’ vans and caravans on the muddy earth strip between them and the road.

This was a doomy, gloomy realm, where illiterate acolytes of Crowley shot up and puked amidst dusty velveteen curtains. If you want a full evocation of it, it can be found in the junkie reveries of the character Richard Whittle, in my novel ‘My Idea of Fun’, where – if I remember correctly – it is described as the residence of a couple dubbed Fat Rosie and Beetle Billy. (I could be wrong – I’ve never reread this book.) Behind the flats range three monolithic tower blocks. In the 1980s they were granite-grey, now they’re cladded a bilious yellow.

I mostly used to score off a couple called John and Denise who had a basement flat. John was a dreadful dealer (although, in fairness to him, the concept of a ‘good heroin dealer’ is an obvious oxymoron). He was constantly in debt, he always shot up most of what his dealer laid on him. He lied, he wheedled, he kvetched. He was a skinny little man with a whispy mustache. He always wore a donkey jacket, and walked with the characteristic mincing, stuttering, listing gait of the chronic opiate addict. Denise kept things – such as they were, the flat was bare, the lightbulbs naked, the lino scuffed and broken – together. They had a small daughter, and on one morning when I arrived I found the Health Visitor emerging from their basement window and scrambling up the earth bank, because John had lost all the keys to the heavily barred door.

To be Continued, I fear

Still Sylver-Surfing

January 31, 2006

I’m back at the Sylver Surfer. I wanted to post a blog in Primrose Hill yesterday, when I staggered out of the dentist. But although this part of London may heave with the sexual antics of fashionable underpants designers and pretty-boy actors, pay-per internet access is thin on the ground.

When I come to think of it – and must we not all come to think of such things eventually? – cyber cafes are the tanning salons of the infosphere, they beckon you inside to bombard your cerebellum with sinister radiation; they encourage you to fritter away minutes and then hours playing the plastic piano of trivia.

But I digress. I’d wanted to post a blog while my entire jaw was numb, because frankly that’s as close as I get to a mood-altering experience nowadays. Louise, my dentist of 20 years standing, was trying to give me yet another crown. Like an old sheep, the relentless rumination of decades of troubled sleep has resulted in the wearing down of my back teeth. In the grey hours of dawn I awake to a crumbly gorge of amalgam and dentine, cough, choke, spit and discover that another molar has bitten itself into dust.

Each new, gold tooth is about £500 a pop – not cheap. But Louise couldn’t pump enough procaine into me to prevent the pure-pain laser of the water drill lancing into me. Eventually she gave up and said she would carve a niche in the stup of the tooth (somewhat in the manner of Joe Simpson placing a piton on the North Face of the Eiger), and ‘anchor’ a filling on to the tooth. Result: it cost 400 shitters less than the crown would. She averred that: ‘The nerves must be deranged in there.’ Next time she says she’s going to shoot me up with a stronger local anaesthetic, one with adrenaline in it. Woo-hoo! As Homer would say.

When I was in rehab in the 1980s I knew a geezer called Pete whose scam was to visit all the dentists in England and blag the glass sheets from them, on to which they’d smeared the leftover silver amalgam from filling teeth. Pete said he could make a nice little earner flogging this stuff to scrap metal merchants. I thought this such a bizarre example of the division of labout that I put it into my novel ‘Dorian’. Now, of course, silver amalgam and scrap metal merchants are just part of a bygone age. But I’m still here – with my ground-down teeth.

My Idea Of Fun

January 31, 2006

My Idea Of Fun - Will Self
Buy from Amazon.co.uk Buy from Amazon.com

Observer
‘This is a brilliant first novel, obscene, funny, opulently written, and, of course, agonisingly moral’

Nicholas Lezard, Guardian
‘No one else I can think of writes about contemporary Britain with such elan, energy and witty intelligence. Rejoice’

Cock And Bull – Amazon.com Reader Reviews

January 31, 2006

7 reader reviews

“Not one for the faint-hearted (if you’re easily offended, better steer clear of this one)! Self’s Londoners live weird existences that I feel would fit in very well with Hieronymus Bosch’s “Garden of Earthly Delights”. Probably Self would treat any attempt at analysis of his work with some disdain, but nevertheless I felt that (as usual) he was attempting to challenge the reader’s view of morality and sexuality. Self seemed to me to be saying that human sexuality (for that read sexual roles) is both ambiguous and mutable: the commonly-held view that all is black-and-white is nonsense, rather it’s all various shades of grey. I enjoyed the book immensely – it’s challenging, funny and disturbing……” – Mr. G. Rodgers

Read all Amazon.com reader reviews

Cock And Bull – Amazon.co.uk Reader Reviews

January 31, 2006

7 reader reviews

“Very, very funny. The problem with Will Self is that he cannot write without being ultra-ironic and cool, but here it works. The stories (2 novellas), about a woman who grows a penis and rapes her husband, and a man who develops a vagina, could have been merely vulgar in the hands of a lesser writer. But Self writes with such linguistic variety, panache and humour that he lifts these stories to the level of highly intelligent satire. They are shocking, obscene and hugely enjoyable (plus they make some very interesting observsations about gender along the way).” – A Reader

Read all Amazon.co.uk reader reviews

My Idea Of Fun – Amazon.co.uk Reader Reviews

January 31, 2006

7 Reader reviews

“I think the previous two reviews are evidence enough that this book needs to be read…anything that can sway opinion so widely demands attention. It’s a dirty, smart, sickening, hilarious book, and no matter which (if any) of these four descriptions you agree with you have to admit that it is a brilliant piece of work. I read it a few years ago and it is now in the possession of an acrimonious ex girlfriend, so I’m just here to buy it again. I strongly urge you to also. ” – A Reader

Read all Amazon.co.uk reader reviews

Cock And Bull – New York Times Review

January 31, 2006

Michiko Kakutani, September 1999

“His first book to be published in the United States, “Cock & Bull,” consists of two comic novellas, both based on the time-honored theme of metamorphoses. The result, however, owes less to Ovid or Kafka than to William Burroughs and scores of naughty schoolboys caught snickering in the lavatory about sex and bodily functions.

Just what sort of metamorphosis occurs in “Cock & Bull”? To put it bluntly, the first story features a woman who sprouts a penis; the second concerns a man who grows a vagina behind his knee. What is the point of these peculiar transformations? Presumably Mr. Self intends to satirize a “world in which social and sexual characteristics were already being tossed and dressed like salad,” a world in which politically correct graduate students drone on about “phallocentrism” and “waitrons,” a world in which women try to run with wolves and men are told to find their inner children. “”

Read the full review

My Idea Of Fun – New York Times Review

January 31, 2006

New York Times, September 1999

“Mr. Self’s “Cock & Bull: Twin Novellas” and the story collection “The Quantity Theory of Insanity” were prologue. Although he is British and this novel is set in England, it has family resemblances to the work not only of Nabokov, but also of Thomas Pynchon, William Gaddis and Don DeLillo. For intelligence and ambition, for inventiveness, comedy, heartbreak and ferocity, for his representation of the human interior as occupied and vandalized by science and business, Will Self belongs in their company.”

Read the full review

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Will’s Latest Book

Will Self - Elaine
Will Self's latest book Elaine will be published in hardback by Grove on September 5 2024 in the UK and September 17 2024 in the USA.

You can pre-order at Amazon.co.uk and Amazon.com

Will’s Previous Books

Will Self - Will
Will
More info
Amazon.co.uk

  Will Self - Phone
Phone
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Amazon.com
Shark
Shark
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Amazon.com
  Umbrella
Umbrella
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Amazon.com
The Unbearable Lightness Of Being A Prawn Cracker
The Unbearable Lightness Of Being A Prawn Cracker
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Amazon.co.uk
  Walking To Hollywood
Walking To Hollywood
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Amazon.com
The Butt
The Butt
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Amazon.com
  Grey Area
Grey Area
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Amazon.com
Junk Mail
Junk Mail
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Amazon.com
  Great Apes
Great Apes
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Amazon.com
Cock And Bull
Cock And Bull
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Amazon.com
  The Quantity Theory Of Insanity
The Quantity Theory Of Insanity
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Amazon.com
The Sweet Smell Of Psychosis
The Sweet Smell of Psychosis
More info

Amazon.co.uk
Amazon.com
  My Idea Of Fun
My Idea Of Fun
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Amazon.com
The Book Of Dave
The Book Of Dave
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Amazon.com
  Psychogeography
Psychogeography
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Amazon.com
Psycho Too
Psycho II
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Amazon.com
  Liver
Liver
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Amazon.com
How The Dead Live
How The Dead Live
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Amazon.com
  Tough Tough Toys For Tough Tough Boys
Tough Tough Toys For Tough Tough Boys
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Amazon.com
Dr Mukti And Other Tales Of Woe
Dr Mukti And Other Tales Of Woe
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Amazon.com
  Dorian
Dorian
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Amazon.co.uk
Amazon.com
Feeding Frenzy
Feeding Frenzy
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Amazon.co.uk
Amazon.com
  Sore Sites
Sore Sites
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Amazon.co.uk
Amazon.com
Perfidious Man
Perfidious Man
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Amazon.co.uk
Amazon.com
  The Undivided Self
The Undivided Self
More info Amazon.co.uk
Amazon.com
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