An interview with Will Self, conducted last August, has just been published by Paris Review.
Archives for August 2012
Digital essay on Kafka
Will Self’s “digital essay” on Kafka has been published in its entirety at the Space website, and includes an hour-long video of his trip to Prague and readings of Kafka’s “A Country Doctor”. For a short explanation of this unique London Review of Books commission, go here or visit thespace.org or @thespacearts for more details.
Dream 13
Impressed by this young man, the author of a book critiquing the demonisation of the British working class, I follow him into the gothic revival church on the Gloucester Road. I used to live in this area! I call after him – but he cannot hear me.
The interior of the church has been partitioned off with plywood into a series of exhibition areas that are connected by narrow walkways and crawlspaces. I try to reach the young man – who I find attractive – but there is a crowd of Japanese tourists coming in the other direction: young women in plaid skirts, white blouses and with Hello Kitty satchels slung about their narrow shoulders. I have to crush myself against the partition so that they can squeeze past me. Finally I reach the space that approximates to the altar, but there’s no sign of the young man, only a mound of cattle dung, a botheration of flies, some torn up physics textbooks. From the direction of the Cromwell Road there comes the snarling retort of a motorcycle engine.
Umbrella interview and pieces
As the publication of Umbrella on August 16 nears, Will Self talks to the Observer about his new Man Booker-longlisted novel (and, briefly, his next novel, which will be “Jaws without the shark”.)
Will has also written a piece in the FT about what he terms “everythingitis”, which he feels every time he finishes a book, and how he conducts his research. There’s also a long piece here that he wrote for the Guardian Review about modernism and how he got going as a writer.
Umbrella by Will Self – USA Publication Date
A quick note for American readers – Umbrella is published in the USA on 8th January 2013 by Grove Press. Pre-ordering is available at Amazon.com. For more information about Umbrella and to read an extract, see the full page of info on Umbrella.
Dream 12
A former candidate for the Tory leadership and I bare-knuckle box beside the Watts Towers in LA. His profile – plump, sweaty, vinous – looks absurd against the spiralling ironwork, but he punches hard, and the crowd gasps as he lands blow after blow on me. We clinch, and the clinch becomes an embrace – we are having sex under a floral-patterned duvet, downtown in the garment district. He cracks a popper under my nose and everything goes blue and then black.
Dream 11
At the Scots service station there’s a Korean restaurant serving pickles and strips of grilled beef – also a large bookstore reminiscent of Powell’s in Portland, Oregon: long, high shafts stratified with a great lode of books, and a pervasive smell of fresh paper and ink.
The family go off to find the toilets and I walk the dog along the grassy berm beside the petrol station. He throws himself on his back on the grass and wriggles. I kneel down and pin him by his paws, he says: Will we be staying the night here? And I realise that although he has always talked, until now I’ve been unprepared to acknowledge it. My wonderment is at my own denial – not the dog’s speech, but while I am lost in this emotion – which feels exalted, aerial, multicoloured – the dog slips his lead and runs away between the cars and scampers across the road. Frantic to find him, I tramp through the gardens of suburban houses, cucumber frames and raspberry canes snapping and cracking beneath my feet. I find the dog in a greenhouse; he has become a small Korean woman wearing a cheap black nylon suit and a white nylon blouse. He cowers and speaks to me… unintelligibly.
Electric Faith
The Huffington Post has published Will’s recent essay, “Electric Faith”, about electricity for The Idler Academy’s limited edition book Ampera: We’re Electric collection of essays. You can buy a copy here for £12.99.
Dream 10
The cars are parked behind a corrugated iron fence – an old humped Saab, a broad and finned Ford Zephyr estate, and a Citroën DS. The DS is mine – or at least I have the use of it. I certainly used to have a car like this. The fence surrounds a muddy islet, its ragged edge bridging small embayments against which the still muddier waters of the lagoon lap.
Every time I touch the DS it quivers and slips sideways on the mud – leaning through the driver window, I accidentally knock the dash-mounted gear lever, and the large, black, flopping body of the car slithers across the surface, dragging me with it. The car slowly and sleekly insinuates itself under the fence and we are wallowing in the lagoon, the DS and I. Friends arrive back from some juke-joint, the sounds of zydeco floating in their perfumed hair as the process, silhouetted along the bayou by the setting sun. They carry jam jars full of fireflies tied to sticks – they are happy. They stop to point and laugh at me, as I slop about hopelessly with the car – I try to make the best of it, climbing on to the bonnet to take a bow, sliding off with a splash, while trying to make it look … intentional.
Madness of Crowds: Welcome, iPhony
She’s lying over there in the corner of the room, innocently asleep; her dark face impassive, her scarlet dress neat. You wouldn’t think to look at her now what a tantalising jezebel she can be – how she can lure a man on, make him forget all else in his hunger to touch her, and stroke her, and touch her again; press her face to his, or else hold it at arm’s length and fixate upon its radiant beauty to the exclusion of all else.
And he, he’s lying over here, awake; tormented by his abandonment, although it’s difficult to say, such is the forthrightness – no, the stoicism – of his pale face, with its bold and simple features. He’s lying beside me, scuffed, chipped, painfully aged by a decade of rough manipulation – and now so callously dumped. How could I do it? I was warned and yet here I am not simply succumbing to the madness of the crowd, but almost revelling in the Dionysian digitations that have gripped me, the obsession, the compelling need for her . . .
Yes, it’s time to talk about mobile phones again – and I make no apology for it. For those of us anywhere much over 40, the blanket coverage of British mental space by mobile communications has to be the biggest psycho-physical alteration to the environment that we have witnessed in our adult lives: we are all, willy-nilly, caught squirming in its net of bandwidth. I’ve written before about my revulsion at the attrition of the divide between public and private, between intimacy and sociability, between rapt attention and attention deficit disorder implicit in the promiscuous use of these devices; what I haven’t bruited about is the nature of my own twisted relationship with . . . Phony.
Phony 1 I got hold of during the 1997 general election, when I was commissioned by the late John F Kennedy Jr to chase Tony Blair about on the campaign trail and write about it for his short-lived political magazine, George. I remember holding Phony 1 while Alastair Campbell, his spittle flecking my face, shouted at me for dogging his master. In those days mobile phones were still a comparative rarity and while I liked toying with Phony, I wasn’t so enraptured that I didn’t after a few months leave him on the roof of the car before driving off at speed. Bye-bye Phony 1. I didn’t get Phony 2 (hereafter simply “Phony”), for four years, when my wife was expecting our second son.
Faithful soul that I was, I stuck with Phony until a few days ago. Flickering through the zoetrope of the years, I see how the phones of friends and family mutated, while Phony remained securely himself. When he was five years old he became remarkable enough to be commented on as something quaint; when he reached the venerable age of eight, children began to laugh at him in the street. Now he’s nearly 12, connoisseurs lavish praise on him and suggest that he has become collectible, while admiring his phenomenal battery strength and the purity of his functionality.
In part, Phony’s long life is attributable to this: unlike my human playthings, I’ve never used him much; for most of the time he’s been switched off – when I want to make a call, or receive and send text messages, I turn him on. It drives the garrulous circle of my acquaintance mad in turn, when I observe that mobile phones were invented for my convenience, not theirs. The sleeping beauty of Phony has been of a piece with the slumberous state of my other gadgets – my camera, my voice recorder, my laptop, my iPod (a vintage 2006 Nano): none of them leap into life and start demanding my attention; they are servants, not masters.
I have indulged in what seem like aeons of mockery, observing the useless fixation of all those around me upon 5-by-3-inch screens and yet . . . and yet . . . now I, too, have succumbed. What the hell got into me? I can only describe it as half an hour of madness, during which I sat with Phony pressed against my faithless cheek while the service provider went through the credit checks. Now I am owned by the svelte tormentor who lies asleep on the other side of the room – an iPhone 4S, I believe they call her but I think of her only as . . . the Bitch: a Venus in plastic, who whips me into obliviousness.
During the past 48 hours I must have spent 40 of them fiddling with her – sending useless emails, downloading dumb apps, listening to music I don’t particularly want to hear, and – worst of all – leaving her switched on the whole time. What more chilling indictment of the modern world is there than this: that the condition of the smartphone user is that of a dumb animal. Moooo!