“Quoting his subject’s words at the head of the chapter on the design and development of Apple’s iPhone, Leander Kahney makes Jony Ive sound oracular: “When we are at these early stages in design … often we’ll talk about the story for the product — we’re talking about perception. We’re talking about how you feel about the product, not in a physical sense, but in a perceptual sense.” Throughout his biography of Apple’s design magus for nigh on the past two decades, Kahney comes at Ive’s notion of the “narrative” of a product time and again, but it’s this formulation that most closely approaches the metaphysical, seemingly suggesting that all those iMacs, PowerBooks, iPods and iPads that Ive has been responsible for mind-birthing should be considered not as mere phenomena, but actual noumena; for, what else can he mean by “perceptual” — as distinct from “physical” — if not some apprehension of how the iPhone is in itself, freed from the capacitive touch of our fingers?
There’s a 4,000 word essay that Will Self has written about Patrick Keiller and his new book, The View from the Train: Cities and Other Landscapes, at the London Review of Books website here. Will is going to be talking about Guy Debord with Patrick at the LRB bookshop in London tomorrow and there should be a podcast available soon after to listen to.
No, I only put on my judgemental hat for a crowd of one nutter: Prince Harry. He set off for the South Pole in early December, accompanied by the obligatory entourage of limbless ex-servicemen (and women), the aim being to show that limbless ex-servicemen (and women), and lame unemployed princes, are all capable of inspirational levels of achievement. It’s difficult to know where to begin when it comes to unpicking this giant bezoar – or should I say pseudo-bezoar – that’s stuck in the British gastrointestinal tract.
Will Self is one of the contributors to the BBC documentary Heroin, in which Professor Andrew Hussey explores the effect of the drug on the creative output of those who have been heavily involved in using heroin, and before it, opium. You can listen to it here.
Listen to an interview with Will Self about Umbrella on KCRW (of Santa Monica College) here.
“The time comes in any upright British male’s life when he needs to have made his peace with all of the following: his homosexuality, his dress sense, and Germany. The first two of these I got out of the way decades ago (true, I still occasionally wake up in the morning and flirt with becoming a dandy for the few short seconds before the stiff denim of consciousness descends on me), but Germany has proved more problematic.
Listen to Will Self talking about Guy Debord and Situationism on Radio 3′s Nightwaves here at the 35 minute mark.
Will Self has written a long introduction to Notting Hill Editions’ small and beautifully formed new hardback publication of Guy Debord’s Situationist masterpiece The Society of the Spectacle, originally published in 1967.
“Never before has Debord’s work seemed quite as relevant as it does now, in the permanent present that he so accurately foretold. Open it, read it, be amazed, pour yourself a glass of supermarket wine – as he would wish – and then forget all about it, which is what the Spectacle wants.”
You can buy a copy for £10 from the Notting Hill Edition website here.