Will Self

  • Books
    • Will
    • Phone
    • Shark
    • Umbrella
    • The Unbearable Lightness of Being a Prawn Cracker
    • The Undivided Self
    • Walking to Hollywood
    • Liver
    • The Butt
    • The Book Of Dave
    • Psycho Too
    • Psychogeography
    • Dr Mukti And Other Tales Of Woe
    • Dorian
    • Feeding Frenzy
    • How The Dead Live
    • Tough Tough Toys For Tough Tough Boys
    • Great Apes
    • Cock And Bull
    • Grey Area
    • Junk Mail
    • My Idea Of Fun
    • Perfidious Man
    • Sore Sites
    • The Sweet Smell of Psychosis
    • The Quantity Theory Of Insanity
  • Journalism
    • The Big Issue
    • Daily Telegraph
    • Evening Standard
    • The First Post
    • GQ
    • The Guardian
    • High Life
    • Independent
    • London Review of Books
    • New Statesman
    • The New York Times
    • Observer
    • Prospect
    • The Times
    • Walk
  • Radio and Audio
  • Television
  • Appearances

Archives for 2011

Paris Review interview

June 24, 2011

An interview with Will Self about Walking to Hollywood at the Paris Review here.

Real meals: Yo! Sushi

June 24, 2011

There are 55 branches of Yo! Sushi in the United Kingdom of Great Britain and Northern Ireland, so this is clearly a threat worth paying attention to. Naturally, when Scotland secedes, it may take its Yo! Sushis with it; the alternative – that they be expelled from the country to form a latter-day Antonine Wall of conveyor belts bearing tuna maki – is a strange, though not altogether displeasing, possibility. After all, the resistance of Scotland’s premier to a foreign cuisine, one of whose chief components is a raw version of his near homonym, would be entirely understandable.

Not that there’s anything very Japanese about Yo! Sushi. For a start, I don’t imagine any self-respecting Japanese person has ever said “Yo!” in their lives, as such a fatuous exclamation runs utterly counter to a culture that prides itself in a disciplined and meditative conformity. No, Yo! Sushi is the brainchild of some clever Brit who sold out to a big corporate years ago, and who now enjoys his moneyed reclusion – I imagine – listening to old Steely Dan albums and raising epigones.

Indeed, it’s equally difficult to imagine what cultural nexus Yo! Sushi belongs within as it is to analyse the semiotics of, say, Hey! Cottage Pie or Whoops! Sorghum. The restaurants feature lurid orange paint jobs, curvilinear vinyl booths straight out of 2001 (the movie and the year), functionalist ducts trumpeting down on the diners, and the much-talked-about conveyor belts.

Let me get this straight: I love the conveyor belts at Yo! Sushi, just as I adore any food delivery system that incorporates the automated. To sit at the counter picking colour-coded dish after dish from the cheerful, rattling segments of the conveyor belt, and to watch that belt wend its way past the diners, then loop back into the exposed food preparation area where another dish is added . . . Well, this is some kind of crazy bliss. The first time I visited Yo! Sushi

I said to my companion: “I haven’t had so much fun since my childhood, when I would spend mealtimes at my grandparents’ with my head stuck inside the dumbwaiter.” Nowadays most people would probably call that paedophilia.

I love the conveyor belts at Yo! Sushi – love them rather more, I suspect, than the food they convey. Not that there’s anything bad about the sushi rolls, sushi nigiri, sashimi, etc that they churn out at Yo!, but the sheer fact of it arriving on a conveyor belt sadly militates against the credo of freshness otherwise promoted by having the kitchen in view. It makes the eating experience curiously confusing – there you sit, watching your titbit being assembled right in front of you, yet by the time it’s made its way around the counter you’ve become convinced that because it’s on an assembly line, it must be stale factory food.

Once, in the Yo! Sushi at Paddington Station, I was so discombobulated by these countervailing gastronomic currents that I tried to eat the conveyor belt instead of the food on it. The management immediately called the police, and I was detained. I mean, as a campaigning journalist, one expects to get arrested from time to time in the pursuit of one’s beliefs – but to be banged up for eating a conveyor belt, the shame of it! Still, it hasn’t put me off Yo! and I’m glad of that, because the other evening in Brighton I took Number One Son along to his local branch and we had a rather tasty repast. Why? I think ordering mostly off the hot menu helped, that way avoiding the conflict between preparation and conveyance. I also took full advantage of the Yo! deal whereby if you order green tea or miso you can have unlimited refills. There’s something about a grossly distended belly, like one of those happy pseudo-Buddhas, that makes it impossible to think ill of the world.

There were these factors – and there was my golden boy, first fruit of my loins, a budding historian studying at Asa Briggs’s old university. It was a pleasure to sit with him beside the trundling conveyor belt of bogus futurism and discuss the rumbling tumbrels of the recent past. Golden Boy, being something of a rightist, took the view that the extrajudicial killing of Osama Bin Laden was wholly acceptable; I demurred, pointing out that Bin Laden didn’t pilot any of the 11 September attack planes and that, far from being a hierarchical command structure – like the US army – al-Qaeda was more in the manner of a franchise: you approach them with your death-dealing idea, and they provide funding, expertise and branding.

“Sort of like a restaurant chain,” GB mused, “like al-Sushi . . . or possibly Yo! Qaeda.”

My most memorable holiday read

June 18, 2011

From the Guardian Review, in which writers recall their most memorable holiday reads. Here’s Will Self’s:

“When I was 18 I took a bus to Lisbon – you used to do that back in the day. Magic Bus from a dusty parking lot next to Gloucester Road tube – I think it cost £25. I had an army surplus kitbag, some hash stashed inside a toothpaste tube – you picked apart the end of the tube with plyers, shoved in the dope, then rolled it up as if it was half used – and John Fowles’s The Magus. I’d liked Fowles’s other books (The French Lieutenant’s Woman, The Collector, and so on), while not exactly viewing them as belonging to the literary bon ton – more, I suppose, what would nowadays be called a “guilty pleasure”. Anyway, the bus, for those of us of extended height, was waaay uncomfortable – but the Fowles did its job of nullifying the bumps and bashes.

“I can’t remember that much about it, except that it was all about some young, romantic, sex-obsessed man and how his cruel and feckless treatment of a lovely girl – in the Father Ted sense – was punished by the eponymous Magus with a series of real-life psycho-dramas staged in the Cyclades. It was – if I remember rightly – one of those books with huge narrative pulsion, and I couldn’t stop reading. I read to the Channel, I read on the ferry, I read south on the autoroute, I read through the Pyrenees, I read through Spain. I arrived in Lisbon and read all night in a fleapit hotel. I entrained for the south and read on the train. I arrived at the Algarve and walked along a cliff, reading. I got the toothpaste tube out, unrolled it, got out the hash, skinned up, lit up, and finished the book on a high that then plummeted. There I was: not in the Cyclades being punished for sexual amorality, but in Portugal being approached by a German hippy for a toke. A German hippy who then strummed “Stairway to Heaven” on his guitar and suggested I sing along.”

Real meals: Paul bakeries, the French Greggs

June 9, 2011

I make some apology for writing about the Paul chain of French bakeries – some but not much. After all, the first Paul opened in Britain only 11 years ago, and while there are just 29 outlets in the UK to date, all confined to London, you can confidently expect, given the gathering speed of its territorial acquisition, to have a Paul on most high streets within another decade or two.

The Blair government argued for the liberalisation of licensing laws on the grounds that it would facilitate a change in our national drinking pattern. No longer would we be northern horn-heads, knocking down pint after short until we went berserk (or, at any rate, berT-shirt); instead, we would sip vin de pays at sidewalk cafés while gently tinkering with our boules.

But how could major thinkers such as James Purnell have failed to anticipate this development? That, instead of taking French cafés as our model, we would seize upon the bakeries. If anything characterised the Blair years, it was a huge appetite for speciality breads. We began the 1990s as a nation besotted with Ridley Scott’s atmospheric Hovis adverts and stuffed full of Mothers Pride; we ended the decade deftly dipping focaccia in olive oil, our hot heads wrapped in Egyptian flatbread.

In la belle France, many regard Paul rather derisively. It may be une maison de qualité, fondée en 1889, but as it is the largest chain bakery in the land, it has the cachet of our beloved Greggs. My French teacher, Arlette, would often refer with disdain to the branch of Paul on High Holborn next to the language school where she was valiantly attempting to inculcate me with the grammar of Montaigne, the vocabulary of Sainte-Beuve and the speech rhythms of Baudelaire. So often did she employ patisseries and coffee-style drinks from Paul as examples in our conversations that I began to conceive of Paul as an individual, picturing him in my mind’s eye thus: a dapper type with a waxed moustache, sporting a lightly checked suit and sitting in a fake empire saloon – reclaimed wood panelling, chandeliers and so on – awaiting the arrival of some pseudo-salonnières. “Ça va, Paul,” I found myself saying involuntarily, when I popped in to get a coffee on my way to our lessons.

Still, however much we can deride Paul for his – I mean, its – French finish, the fact remains: Paul is the French Greggs! That’s how advanced French gastronomy is, in comparison to that of our own bicarbonated isle. Instead of sausage roll, there’s a “chaud saucisse” (complete with béchamel sauce, Emmental cheese and pain à l’ancienne); in lieu of a polystyrene cup full of tepid tomato soup, there flows a wide variety of soupes du jour; and where Greggs might tempt us with a mere iced bun, Paul enacts a full seduction with his grand macaron framboise, a titbit of such extreme sweetness that I suspect it may be more than 100 per cent refined sugar.

The other afternoon, feeling that life was altogether de trop and finding myself limping through the subterranean concourse of London Bridge Station, I didn’t hesitate to stop off at a dinky little branch of Paul for a tourte aux légumes followed by a tarte aux abricots. “Wow!” I thought to myself, as I staggered towards a table laden with boxes labelled “Paul” in that distinctively neoclassical and austere typeface. “This is a lot of pastry.” And it was – about the most I’d eaten at one sitting in around a decade.

There’s a lot to choose from when it comes to contemporary fast food – within sight of my table at Paul London Bridge, there were branches of the following: Banger Bros, the Bagel Factory, Cranberry, a South African-themed delicatessen called (get this) the Savanna, and a Cards Galore. I suppose some readers might object that Cards Galore isn’t, as such, a food outlet – but as I’d never consider buying a card from there to give to someone, eating them seems a reasonable course of action.

What I’m trying to get across is that, until Paul has secured market saturation, elbowing out Greggs and even taking down Subway, it will remain the thinking man’s – and woman’s – bakery. Apart from me, there were only femmes d’un certain âge at my Paul – at least, I thought this was the case until the longish, dyed-blonde coiffure at the next table turned to expose the careworn features of . . . the former secretary of state for culture, media and, um, sport.

American Independence Day event with Martin Amis

June 5, 2011

On Monday July 4, Will Self and Erica Wagner will discuss the influence of America on the literature and culture of the 20th and 21st centuries with Martin Amis at 6.30pm at the Cosmo Rodewald Concert Hall, Martin Harris Centre at Manchester University. To book tickets (£7/£5) go here.

The madness of crowds: the divine right of driving

June 2, 2011

In his column in the London Evening Standard, Sam Leith writes – apropos allegations that the Energy Secretary persuaded an aide to take his speeding points – “Which of us . . . wouldn’t try to wriggle off that particular hook – however much we may tut-tut when others do it?” But can Leith really mean this? I wouldn’t lie in order to avoid the consequences of an illegal action (so long as I believed the law justifiable), and nor would I “tut-tut” if I heard someone had perverted the course of justice; I’d get on the horn to Plod Central and suggest they arrest the malefactor.

I suppose by “particular hook” Leith only means avoiding a driving ban and not, say, committing perjury at a libel trial in order to cover up your dalliances with prostitutes while scooping up half a million in damages (Jeffrey?Archer style). But whoever you are, lying is lying.

Wherefrom comes this peculiar moral latitude in respect of driving offences? Well, just as collective tolerance of that deranged institution the monarchy derives in part from residual belief in the divine right of kings, so all sorts of madness can be explained by the divine right of drivers. Unlike the stars of the popular US science-fiction TV series Heroes, the average Briton possesses only one superpower: the kind measured in horses. To drive a car is to experience a huge augmentation of strength; push your foot down a few inches and you – together with a quarter-tonne of steel – are thrust hundreds of yards in a matter of seconds. Depress the other sole and the entire shebang screeches to a halt – hopefully in time to avoid killing someone.

Car manufacturers understand the mystical character of driving only too well, which is why their more or less identical little boxes are commonly advertised as shape-shifting chimeras. It’s a panther! It’s a giant dancing robot! It and you are melded together into a serpent of light that coils over hills and loops through valleys. In adverts, cars and their drivers stop time, leap over tall buildings and otherwise contravene the laws of physics – which is bonkers, considering that what drivers on our right, tight little island mostly do is exhibit inertia as they squat, motionless, in traffic, the exhausts of their £15,000 padded cells farting out carbon monoxide, lead, particulate matter, petrol that hasn’t been combusted, etc etc.

The image of the car, which was forged during a time of expanding horizons and – naturally – low levels of car ownership, has yet to adapt to our current era, when motorways are car parks abutting airfields tessellated with the steely oblongs of unsold cars. If modern-day drivers took a long, hard look at themselves, they would realise that they exist pretty much to pilot these carnivorous vehicles through time, rather than space; that the private car has become a strange parasite that depends on us for its obscene propagation, forcing us to slave long hours so we can buy the next expensive phenotype.

I don’t need to tell you what madness transpires when the unstoppable divine right of drivers impacts with the immovable traffic, because you’ll all have witnessed it thousands upon thousands of times. From the odd obscene gesture and shouted epithet to full-blown Kenneth Noye-style beatings to death, the experience of driving on modern roads is more akin to the chaotic moiling you can witness on a crowded psychiatric ward than locomotion as rationally understood.

No wonder that, when the opportunity presents itself, people speed – to speed is to slip the surly bonds of earth and dance the skies on laughter-silvered wings; while to be pulled up by some time-serving traffic cop is to collapse back into a present in which you’re confined to an old metallic Nissan stinking of new-car-smell air freshener.

The divine right of drivers is responsible for the rise and fall of governments, the death of hundreds of thousands and the most comprehensive alterations to our physical environment since the woodland clearances of the Bronze Age. Truly, we revolve the roundabout of life according to its precepts. And if it’s bad enough to be an ordinary human being deprived of said right, what must it be like to be a thrusting, puissant Lib Dem politician so arraigned?

The Psychopath Test

May 27, 2011

Read Will Self’s review of Jon Ronson’s The Psychopath Test in the Guardian here.

Real meals: Airline food

May 27, 2011

It is a truth universally acknowledged that all airline food aspires to the condition of potato dauphinoise – or, possibly, Irish stew. Any given dish may start out its life in the great catering kampongs of Gate Gourmet, being fluffed, beaten and otherwise teased into a variety of shapes, but, by the time it’s been wadded into foil trays, covered, stacked, chilled, loaded and lifted off into the tame, grey yonder, it will have been compressed into layers of a slightly undercooked, whitish, root-vegetable consistency, interspersed with a reassuring, beige juice.

I say reassuring because airline food is all about comfort and nothing else. Unlike other meals, its taste is solely a product of the diner’s anxiety. The nervy flyer, wedged between John Grisham fans and contemplating a death that, for sheer, quotidian pathos – “Died in that air crash, you say? On her way to a city break in Tallinn? Blimey, what a pointless way to go!” – is equalled only by slipping in the shower stall on a cake of Imperial Leather, will reach joyfully for the proffered tray because, after all, if you’re eating, you must be alive, no?

All of this flickered through my mind as the British Airways Airbus 320 grumble-bumped over the tarmac of Boryspil Airport near Kiev. Visibility was meagre, rain was lashing the plane window and the wind speed was probably some ghastly rate of knots – it was Polish-president-killing weather and I was in pole position to experience it. I’d had a hefty dinner the night before in a themed “Soviet-era” restaurant, where I was served – get this! – a chicken Kiev by a waitress in a knee-length, flared, black skirt and a white, lace apron. My Ukrainian hosts, whom I’d asked to order for me, couldn’t understand why I roared with laughter when the butter-stuffed fowl was plonked in front of me – and I had to go into a long, halting explanation that took in the 1970s, Abigail’s Party, the winter of discontent, blah, blah, blah.

Then, bleak dawn found me in the restaurant of my upscale hotel, woefully contemplating a buffet of Romanov extravagance: everything from sushi to custom-made omelette and back again was on offer, when all I wanted was a slice of toast and a glass of orange juice. However, it was a flat fee of 320 hryvnia – and, at those prices, I wasn’t about to be short-changed.

So, as the plane strained aloft, there was I, caffeinated to the gills and with an unpleasantly distended belly. I was also still stuck in my 1970s reverie, and mulling over the awful truth that if the plane was diverted, then crashed on to a mountain range, mine would be the buttocks the other passengers would make a beeline for, plying their 50mm-long nail clippers. This was why, when the BA trolley dolly came back after take-off and offered me hors d’oeuvres, I naturally said, “Yes.” Yes to scary roundels of white bread, topped with scary roundels of cream cheese, scattered with a few limp chives; yes to the cutlery wrapped in its linen winding sheet; and yes to the main course of pork, which turned out to be greyish nodules, accompanied by peas, carrots and . . . yes! Potato dauphinoise.

Mmm, yummy, I thought as I chowed down. People are so snotty about airline food, but this stuff was great. On I munched, reflecting on how there was something existentially lovely about the two Ritz Crackers wrapped in clingfilm that accompanied wedges of Cheddar and Cheshire cheese. I ate it all – every last crumb, even the scary-looking dessert: a spongy cake, sitting in a pool of cream, which looked as if it had lost control of its bowels. I ate it all – and ate it with relish – and then I finished off with one, two, three more cups of the superfine British Airways coffee. I also fell in love with the steward. I pictured our civil partnership ceremony at the Camden register office on Judd Street and his Ealing flat that I’d move into. On his layovers, he would bring me airline meals he’d filched and I would grow morbidly obese on the oh-so-comforting potato dauphinoise. This was better than the cannibalism daymare I’d had during take-off, but we were now dallying down over London and it was time for me to face the facts: I was alive, I had survived, I’d eaten three huge meals in the space of 12 hours and I now had suitably punitive indigestion.

An army may well march on its stomach – but for a civilian to fly on his has to be a strategic mistake.

In defence of the Shard

May 25, 2011

A peek with our digital stepladder over the Times paywall to see some of what Will Self wrote about Renzo Piano’s Shard in London:

“At dinner with a table of design professionals, including Terence Conran, I found myself defending the Shard, the 1,000ft incisor of a building currently being implanted in the rotten old gums of the Thames’s banks to the immediate south of London Bridge. Not just defending the Shard but positively eulogising it, while my companions appeared suitably bemused. They – and you – might well have suspected that I’d be agin’ the thing, as an example of all that’s fatuously overblown in the modern urban environment.

“After all, does any city – and in particular London – really need another slab of concrete with a glassy sheen stuffed full of financial services, a luxury hotel and assorted other romping rooms for the mega-rich consumer? Especially now. There’s a concept that bridges economics with urban theory called the ‘skyscraper index’, according to which the tallest building in the world tops out immediately before – in any given economic cycle – the stock market crashes. I’m not sure that the theory can be applied at the microlevel of the individual nation, and certainly Britain seems only to partially confirm the hex of the hypertrophic. One Canada Square, 770ft, the signature building of the Canary Wharf development, was completed immediately before the 1991 downturn, while Tower 42, 600ft (formerly the NatWest Tower), was fully erect in 1980, just in time for the economy to go floppy, but the Heron Tower, 663ft, was finished in the bust year of 2010, while the rather more modest Partagas Perfecto, known as the Gherkin, inflated to 591ft in the contrastingly boom year of 2004.

“Some of its opponents succumbed to schadenfreude at the end of September 2007, when it looked as if the Shard was tempting fate with its lofty hubris demolition of the existing building on the site was halted, owing, it was said, to the gathering storm in world financial markets. But then, joy of joys, those genies of the built environment (they make everything bigger), the Qataris, stepped in and financed the upthrust by buying a £150 million stake and taking full control. It was perhaps a bit of a downer for Irvine Sellar, the London developer who had chivvied, bullied and generally augured the Shard into getting planning permission from such architectural luminaries as Ken ‘Chav-ez’ Livingstone and John ‘Two Ministries’ Prescott, but hell, the important thing was that the behemoth was being built …”

“… As for worrying that the Shard marks the beginning of a Manhattanisation (or Dubaiifying) of London, there’s no chance of that. Even a well-built splinter of modernity such as this is still built to only a 50-year spec – plenty of people alive today will see it being implanted, and see it getting wrenched out again.”

Salon review of Walking to Hollywood

May 25, 2011

“Surreal, scurrilous, solipsistic, sarcastic, and sardonic, Self’s newest bit of unclassifiable literature continues his career-long carpet-bombing of contemporary culture’s most heinous aspects, sparing no one, including the author himself.” A review of Walking to Hollywood at Salon.

And from a review at Boston.com: “From mad, marvelous, swirling bits of narrative disorder, Self fashions his scathing satiric denunciations of the eroded artistic, cultural, and moral values of a solipsistic media-driven world … While Self’s ultimate vision is grim, it is described in dazzling bursts of verbal pyrotechnics … The language here is as rich as Vladimir Nabokov’s, the rage as deep as Jonathan Swift’s, the narrative as convoluted as Nathanael West’s.”

  • « Previous Page
  • 1
  • …
  • 6
  • 7
  • 8
  • 9
  • 10
  • …
  • 13
  • Next Page »

Will’s Latest Book

Will Self - Elaine
Will Self's latest book Elaine will be published in hardback by Grove on September 5 2024 in the UK and September 17 2024 in the USA.

You can pre-order at Amazon.co.uk and Amazon.com

Will’s Previous Books

Will Self - Will
Will
More info
Amazon.co.uk

  Will Self - Phone
Phone
More info
Amazon.co.uk
Amazon.com
Shark
Shark
More info
Amazon.co.uk
Amazon.com
  Umbrella
Umbrella
More info
Amazon.co.uk
Amazon.com
The Unbearable Lightness Of Being A Prawn Cracker
The Unbearable Lightness Of Being A Prawn Cracker
More info
Amazon.co.uk
  Walking To Hollywood
Walking To Hollywood
More info
Amazon.co.uk
Amazon.com
The Butt
The Butt
More info Amazon.co.uk
Amazon.com
  Grey Area
Grey Area
More info
Amazon.co.uk
Amazon.com
Junk Mail
Junk Mail
More info
Amazon.co.uk
Amazon.com
  Great Apes
Great Apes
More info
Amazon.co.uk
Amazon.com
Cock And Bull
Cock And Bull
More info
Amazon.co.uk
Amazon.com
  The Quantity Theory Of Insanity
The Quantity Theory Of Insanity
More info
Amazon.co.uk
Amazon.com
The Sweet Smell Of Psychosis
The Sweet Smell of Psychosis
More info

Amazon.co.uk
Amazon.com
  My Idea Of Fun
My Idea Of Fun
More info
Amazon.co.uk
Amazon.com
The Book Of Dave
The Book Of Dave
More info
Amazon.co.uk
Amazon.com
  Psychogeography
Psychogeography
More info
Amazon.co.uk
Amazon.com
Psycho Too
Psycho II
More info
Amazon.co.uk
Amazon.com
  Liver
Liver
More info
Amazon.co.uk
Amazon.com
How The Dead Live
How The Dead Live
More info
Amazon.co.uk
Amazon.com
  Tough Tough Toys For Tough Tough Boys
Tough Tough Toys For Tough Tough Boys
More info
Amazon.co.uk
Amazon.com
Dr Mukti And Other Tales Of Woe
Dr Mukti And Other Tales Of Woe
More info
Amazon.co.uk
Amazon.com
  Dorian
Dorian
More info
Amazon.co.uk
Amazon.com
Feeding Frenzy
Feeding Frenzy
More info
Amazon.co.uk
Amazon.com
  Sore Sites
Sore Sites
More info
Amazon.co.uk
Amazon.com
Perfidious Man
Perfidious Man
More info
Amazon.co.uk
Amazon.com
  The Undivided Self
The Undivided Self
More info Amazon.co.uk
Amazon.com
Bloomsbury  
Penguin

About / Contact

will-self.com is the official website for British novelist and journalist Will Self. The site is managed by Chris Hall and Chris Mitchell.

If you want to get in touch, you can email us at info@will-self.com

All email will be read, but we can’t guarantee a response.

PR agencies, please DO NOT put this email address on any mailing lists.

If you have a specific request for Will regarding commissions, book rights etc, you can contact his agent via agent@will-self.com

Will’s Writing Room

Will's Writing Room
– a 360 degree view in 71 photos

Recent Posts

  • Will Self’s new novel: Elaine
  • Berwick literary festival October 12
  • BONUS: Martin Amis in conversation with Will Self (2010)
  • My obsession with Adrian Chiles’ column
  • Why Read in Tunbridge Wells
  • The mind-bending fiction of Mircea Cartarescu
  • ‘The Queen is dead – and let’s try to keep it that way’
  • Why Read to be published in November
  • On the Road with Penguin Classics
  • The British Monarchy Should Die With the Queen

© 2005–2025 · Will Self · All Rights Reserved