Will Self

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Archives for 2011

A new short story, iAnna

September 15, 2011

“Dr Shiva Mukti, a psychiatrist at St Mungo’s, a small and down-at-heel general hospital situated – rather bizarrely – in the dusty pit left behind when the Middlesex Hospital was demolished in the spring of 2008, had, through various serpentine manipulations, got hold of his senior colleague Dr Zack Busner’s mobile phone number, and this he proceeded to call: ‘Who is it?’ Busner snapped. He was lying naked on his bed in the bedroom of the grotty first-floor flat he had recently rented on Fortess Road in Kentish Town above an insurance broker’s. His phone had been balanced on the apex of his sweat-slicked tumulus of a belly, and when it rang it slid down, slaloming expertly through his cleavage, bounced off his clavicle and hit him full in his froggy mouth. Mukti identified himself and explained why he was calling. Busner responded disjointedly: ‘Yes … oh, yes … Yes, I remember you – no, no I’m not. No – I’m not inter- For heaven’s sake, man, I’m retired, I don’t want to examine your patient no matter how novel her symptoms may be … What’s that? Not the first, you say – something of an emerging pattern …?

“It was too late – the older psychiatrist had allowed himself to be hooked, rocking then rolling off the bed he stood with the phone caught in the corner of his mouth. Then the call pulled him into his clothes, out the door, down the stairs (through the wall he heard things like: ‘Third party in Chesham, John?’ and ‘Better try Aviva …’), out the front door, down the road to the tube, down the escalator, through the grimy piping and up another escalator, until he found himself, landed and gasping below a flaking stucco portico beside a billboard picturing computer-generated luxury flats, 1,800 of them.”

Read the rest of Will Self’s brand new short story, iAnna, commissioned by the Guardian to mark the 10th anniversary of 9/11, here.

Madness of Crowds: Suicide bombers

September 14, 2011

I was sitting on the Tube with my six-year-old son. I’d bought him a bag of crisps and he was munching them while I read some boring periodical. Then: “Dad, Dad …” He pulled at my elbow. “Shush!” I admonished him. “I’m reading.” Then again: “Dad, Dad …” He pointed towards the only other person in our carriage: a young man of Asian appearance wearing a shalwar kameez, a prayer cap, sporting a wispy beard and with a small rucksack on his back. I realised what my kid was driving at – but shushed him again. Once we were off the train, I asked: “What? What is it?” He stared back at me with the triumphant expression of the junior spy: “That man,” he said authoritatively, “was a suicide bomber.”

This happened a couple of months after the 7/7 attacks in London, and while as a general rule recounting the precociousness of one’s children is the dernier cringe, I think it worthwhile setting down here as an example of how far this malevolent syllogism had sunk, by then, into the collective consciousness: the suicide bombers were Muslims, that man was a Muslim, QED, that man was a terrorist. It doesn’t matter how elegantly this fallacious “reasoning” is gussied up, or how it is tied in the rhetorical ribbons of politicians, policymakers and the leaders of the other two big monotheisms, the conclusion always remains the same: an entire group of people is damned by association with the crimes of a handful of individuals.

To understand just how crazy this is we have only to observe that we do not treat all men as if they were wise simply because Socrates was a man – the men who perpetrated the 9/11 attacks are dead, so are those who killed London commuters on 7 July 2005, so they cannot be punished any further by pulverising peasants in Afghanistan, let alone by shunning British Muslims who live and work in this country.

This morning, I was musing on the tenth anniversary of that grotesque spectacular, which, even before the dust had settled on the streets of Manhattan, was already being employed as a handy historical way-marker – musing and organising a car rental in a small Scottish city. The man doing the paperwork was a British Asian Muslim – not that you’d have been able to tell if you couldn’t see him: his accent was as broad as any urban Scot’s. I asked him if he minded if I asked him a personal question, and he said he didn’t, so I said: “Did you experience any problems, personally, after 9/11?”

It was as if I’d released a valve – for out it gushed. He had been studying in Glasgow at the time, and his friends were so worried for him that they formed a scrum around him and conducted him home like that. Even so, he was spat at in the street. This continued for four or five months after 9/11: verbal abuse, spitting, people automatically moving when he got on public transport: “I had no problem getting a seat on the bus for ages …” he quipped ruefully. What he found most difficult was that the shouters were by no means the usual suspects but “educated-looking people, y’know, all suited and booted”. He told me that when his sister-in-law asked two police officers to stop a group of men following her and taunting her, they merely shrugged their shoulders.

With the first anniversary it all started again, and so it continued, year after year, like a bizarre addendum to Ramadan, as if it were the lot of every English or Scottish Muslim to suffer collective punishment. The man in the car-hire place spoke not as if personally aggrieved – because he understood there was nothing personal about these assaults.

There are many state-sanctioned ways of honouring those killed during the 9/11 attacks, but I have a novel suggestion: why not, on the tenth anniversary, express some sympathy towards the living victims. If you see a young man in shalwar kameez and with a wispy beard sitting on a train or a bus – go and sit next to him, strike up a conversation even. Individuate him just as you yourself would wish to be individuated. This is the sane thing to do.

Cycling festival

September 8, 2011

Listen to Will Self talking about cycling here, ahead of tonight’s Intelligence Squared debate at the Royal Geographical Society. There are some tickets left apparently; details here.

Walking to Hollywood reviews

September 7, 2011

The Sunday Times: “In Very Little, the first in this triptych of wacky tales rooted in autobiographical reality but twisted through gonzo distortions, Self recalls an outrageously funny friend (a dwarf, with whose sister he had embarrassing teenage sex at a party). The Hollywood in the title story is a nightmare of video games and scientology where Self morphs into a female porn star and the Incredible Hulk. The last tale is a grey affair about coastal erosion, after which Self explains that the three have been themed around obsessionality, psychosis and dementia respectively. The effect is hallucinogenic, paranoid and gruellingly clever.”

The Guardian: “Scattered photographs, odd domestic details, a filthy reference to Margaret Atwood’s remote-book-signing device the LongPen: there are traces of reality in Walking to Hollywood but they are like the frantic nail-furrows of a cartoon character scrabbling on a rock-face before plunging into the void. Will Self ‘s psychogeographical (the geographical is not always a given) ramblings are split into three parts: “Very Little”, an account of the narrator’s relationship with achondroplastic dwarf and art-superstar Sherman Oaks “Walking to Hollywood”, an exhausting Los Angeles odyssey where everyone is played by an actor (Self is both David Thewlis and Pete Postlethwaite) and most affectingly, “Spurn Head”, the record of a coastal walk with a grimly inevitable rest-stop at its end. In the afterword, Self says each part represents a mental pathology – obsessive compulsive disorder, psychosis, Alzheimer’s – but these are subtle divisions in a book that examines the human brain with a scalpel in one hand, a brick in the other, and a lit firework between its teeth.”

The Independent: “Self’s latest work has its roots in the once fashionable notion that walking is a radical act. In this triptych of surreal tales that come dressed as memoir, Self takes on the role of loquacious author-narrator. In “Very Little”, he describes his relationship with celebrated sculptor and dwarf, Sherman Oakes, who aged 13 threatened to walk into the local bakery stripped naked except for a skullcap and attachE case. In the centrepiece, “Walking to Hollywood”, Self walks across LA, only to realise that he’s part of a movie and that every character he meets is played by a celebrity. Finally in “Spurn Head”, he tramps the coast of East Yorkshire, finding in the crumbling cliffs an extended metaphor for what he suspects is the early on-set of Alzheimer’s.”

The Observer: “Travelogue, film criticism and autobiography are among the genres fused in this surreal narrative, in which a neurotic Self-alike tries to shake off his obsessive-compulsive disorder by taking a trip to Los Angeles to find out who or what ‘killed film’ (the suspects include Sony, CGI and Mike Myers). After resuming a rivalrous childhood friendship with a 3ft-tall sculptor, he brawls with Daniel Craig’s stunt double, mutates into the Incredible Hulk, and wakes to find that he’s developed the breasts of the Mulholland Drive star Laura Harring. Essayistic interludes punctuate the action: there’s a bracing take on the Polanski affair, and many funny riffs about the effortful artifice film-making involves. When the narrator learns that air traffic controllers were flown to Pinewood Studios “to play the parts of the air traffic controllers” in the film United 93, he can’t help thinking of the ‘air traffic controllers who had ensured those air traffic controllers landed safely, so that they could pretend to be witnessing the feigned destruction of real bodies’.

“Jollity and gloom collide: the darker material, which draws on the author’s history of drug addiction and the death of his mother, brings to mind Bret Easton Ellis’s eerie memoir-thriller Lunar Park, a novel that Self is shown reading. Ellis himself pops up, along with several other writers who have come to LA to beg for work, including a tramp who turns out to be Salman Rushdie. A drolly emphatic disclaimer warns against mistaking these names for their real-life counterparts – which is probably just as well, given what Self writes about Toni Morrison.

“Extravagant prose is inevitably a stand-out feature of the book. The first vowel of the word ‘descended’ appears 523 times in order to evoke Norman Bates’s super-slo-mo knife attack in Douglas Gordon’s art installation 24-Hour Psycho. Although Self’s alter-ego frets about the ‘arrant nonsense’ of his style, there’s plenty to enjoy here, especially the 26-word compound adjective with which he memorably vents spleen at a gabby jet passenger.

“The fear of early-onset dementia haunts Self’s return to London, and he promptly embarks on a walking tour of the fast-eroding Yorkshire coast. At one point, he asks a local for directions to the next village. “Ahv no ahdeah”, comes the reply. Some readers may feel the same way about this bizarro hotchpotch – but if you’re prepared to accept its eccentricity, much fun awaits.”

The Independent on Sunday: “Will Self ‘s Walking to Hollywood consists of three skewed travelogues, in which truth bleeds bafflingly into fiction. Of Self’s previous work, it is perhaps closest in spirit to his erstwhile ‘psychogeography’ column for The Independent, in which he professed to unpick the ‘relationship between psyche and place’. But if those articles were often little more than scatological jeux d’esprit, this is a darker and more serious affair.

Not that Self’s usual exuberance is entirely absent. Reading the title essay, which documents his perambulations around downtown LA, is like watching a dirty-minded cartoonist doodle on a postcard, turning famous sights into obscene tableaux: the Incredible Hulk comes to life and starts rutting with the cars along Miracle Mile.

“Elsewhere, however, the book strikes a different tone. In ‘Very Little’, Self tramps the gloomy South Downs with a megalomaniac dwarf ‘Spurn Head’ recounts a hike along the crumbling Yorkshire coastline. Elliptical and unsettling, these two pieces suggest an intriguing shift in Self’s work, from the colourful surrealism of William Burroughs to something more akin to WG Sebald as in Sebald’s Vertigo, captionless black-and-white photographs embed the text, and dead-eyed doppelgangers abound.

“Walking to Hollywood ultimately fuses physical and psychological landscapes in ways that are unique, making it utterly Selfish – but in a good way.”

The London Perambulator

September 2, 2011

The brilliant London Perambulator documentary about the “deep topographer” Nick Papadimitriou, and featuring contributions from Will Self, Iain Sinclair and Russell Brand, can now be seen in its entirety here.

Real meals: Park cafes

September 1, 2011

After the unprecedented disorders of early August – a rending of the fabric of civility on a par with the sacking of Rome by the Visigoths – it behoves even this column, concerned as it is with the plebeians’ daily bread, to name and shame the guilty parties. By this, I mean that small, core group of bodies who know no shame . . . But first, a digression, a wander across the grassy verge, under the tendrils of the willow that waves beside the boating pond – see! There strains the fat man on his pedalo, while, over there, the anorexic vies with her whippet. And lo! Does not the cacophonous coo-burble of the filthy pigeons scrapping for scraps lead you into that drowsy, questioning reverie yet again: why is it that you never see a juvenile pigeon or, for that matter, a hoodied crow?

This week, it’s park life. If you’re anything like me – two legs, gastrointestinal tract and mouth – I dare say you eat quite a bit in park cafés. I know, I know, the well-organised among us take the cooler, the rug, the folding chairs, the antique Victrola grinding out Chaliapin singing “The Song of the Volga Boatmen”, the ox tongue in aspic . . . but for those of us bobbing in the mainstream, the park is usually an extempore decision.

For years, I’ve had children, dogs or both to justify my park life – but I don’t think an excuse is needed. What is inexcusable is the hefty mark-up that park cafés charge for their provender. It’s as if, by wandering across that grassy verge, you had incurred a sort of al fresco premium, when most park cafés offer no better prospect than the aforementioned pedalo, whippet and willow, together with the dubious delights of fresh dog excrement – its bouquet, not as a dish. My local park, Battersea in sarf London, offers four establishments: a kiosk selling panini, tea, cakes and sandwiches, sited beside the ornamental ponds and pergola that are all that remain of the old funfair; another kiosk – offering the same menu – by the car park; a more plebeian trailer by the playground, which, when open, shovels out fat, white chips, hot dogs and other guilty pleasures; and then there’s La Gondola.

We usually go for the first option. In summer, the flowerbeds and fountains make it easier to bear the £15 price tag for a couple of toasted sandwiches, a brace of Cokes and a cup of Earl Grey. In winter, we gravitate towards the playground trailer, seeking grease to line our shivering stomachs – but what we never, ever do is eat at La Gondola. Housed in an echt modernist hatbox beside the boating lake, La Gondola would seem to be the best eatery in the park – its trestle tables provide great views of the Victorian rockeries on the far side of the lake, while its menu is extensive, running all the way from full English to full Italian, with an outside barbecue in summer offering grilled chicken, sausages and burgers.

As you draw closer to La Gondola, however, you notice the signs plastered all over the place: “This area is exclusively for customers of the café. Anyone found with food and drink not bought from the restaurant will be asked to leave”; “Please note: we don’t fill up empty bottles of water”. And so on, in a mournful tirade of officiousness. Then you spot the prices. Park cafés are pricey, that we expect, but £6.90 for a burger, chips and a scrag of salad? And £18.50 for a jug of Pimm’s? And £4.30 for a child’s portion of risotto? Time was when I would take La Gondola in my stride, figuring this was just the way the world turned – but then I began to say: “Nyet!”

Passing by there the other day, I thought, hmm, I wouldn’t mind giving La Gondola a shitbagging . . . but, being a conscientious soul, I went in to have a word with the proprietor first. Rafaela, who has held the lease for eight years, agreed with me: the prices were extortionate – but what could she do? The landlords were charging her £14,400 per annum to rent the hatbox premises and this was likely to rise to 18 large ones next year.

And who was this Rachman whose greed was forcing me to pay £1.60 for a can of Coke? Step forward, Wandsworth Council, which, not content with planning to evict people from their flats because they’re related to someone nicked during the recent émeutes – the sort of collective punishment associated with a Nazi occupation – also sees fit to try to turn an outrageous profit out of what should be a public service.

David Lynch interview

August 27, 2011

“I’ll tell you how much I admire David Lynch as an artist, and how influential I consider his work to have been – not only for me personally, but also an entire swathe of Western culture. However, first let me give you a snapshot of the jejune Self coming face to face with his creative hero. It was 1989, in Notting Hill in London, in a gaff called 192, the wine bar of the moment (yes, such a concept still obtained in those matte-black days). Think cocaine as a near-novelty, think shoulder pads, think conical white sconces and shirts buttoned to the collar (a style Lynch himself still affects). I was dining with friends, I was recently married, I’d yet to publish a book and had a day job in a publishing company.

“I seethed with the injustice of it all (there was, in point of fact, no injustice). Then Lynch walked in: tall, blondish hair en brosse, apart from the whistle, and the buttoned-up shirt, looking every inch the Boise, Idaho farm boy he kinda … sorta was.

“I nearly fell off my three-legged designer chair I was so overcome with reverence and the Lynchian serendipity of all – for at that very moment my friends and I had been discussing the unalloyed brilliance of a new series that was being screened on hokey old British TV, a series called Twin Peaks – a title at once prosaic and enigmatic – that had been made by none other than the man who now stood just feet away from me.

“And there, in a nutshell, is my understanding of what it is to be truly influential: creating a body of work so powerful, so possessed of its own quiddity, and yet so resonant of the world, that the adjectival form of its maker becomes a given. (Franz) Kafkaesque, (Francis) Baconian – both are adjectives that Lynch himself admires, and can be applied to his own work, but Lynchian has an X factor – it is more than the sum of these, or any other parts.

“Did I go up to him and introduce myself, say how much I’d admired his work over the years since I first saw Eraserhead in 1977, while huffing amyl nitrate in the old Classic 1-2-3 Cinema on London’s Tottenham Court Road? Did I hell – I cowered under the table.”

Read the rest of Will Self’s interview with David Lynch from December 2008, now available on the GQ website here.

Edinburgh festival interview

August 26, 2011

Ahead of Will Self’s appearances at the Edinburgh festival this weekend, here’s a preview from edinburgh-festivals.com:

“Will Self crosses Frith Street at a lope, a very tall man with a very small dog. Today, the writer, psychogeographer and urban wanderer has agreed to walk with me across London, from Bar Italia, at the throbbing heart of Soho, to the White Cube gallery, in the now-trendified East End. Maglorian, his Jack Russell, will accompany us.”

To read the rest of the interview, go here.

The madness of crowds: The relativity of the riots

August 25, 2011

In his superb memoir Jackdaw Cake, the late Norman Lewis told the story of his upbringing in uttermost north London in the 1920s. His parents were a wacky pair who professed spiritualism and held seances at which ectoplasm was teased out of Lewis père’s mouth and made to assume phantasmagorical shapes. More bizarre was the way that, during the interwar period, Enfield advanced across Middlesex in a flying column of cul-de-sacs, armed with telegraph poles, creosoted fences and pebble-dash facades. I grew up in a not-dissimilar suburb, East Finchley, and remember finding Lewis’s account almost supernatural – as, even as an adult, I found it hard to believe that the suburbs hadn’t been there since time out of mind, so immemorially dull did they seem.

In the space of less than a century, Enfield has gone from greenfield site to brownfield riot territory. When I heard the news, I pictured Women’s Institute members setting fire to privet hedges and chucking Molotov cocktails at leylandii. However, I soon got a grip: the ebb and flow of gentrification in our cities means that no district escapes the undertow of deprivation, whether material or – gulp! – spiritual.

The kind of deprivation that animated these riots seems to have been highly relative: our disaffected youth may now lack after-school clubs, courtesy of the 70 per cent cuts in such services, but they still have BlackBerrys to co-ordinate these acquisitive thrusts against the soft underbelly of late capitalism. These were the riotous goings-on not so much of the alienated (although I have no doubt that they are) as the early adopters.

Having witnessed a fair few riots in my time – some of them, such as the poll-tax riots of 1990, beautifully blocked out and scripted – I have no problem in seeing them as street theatrics. So, if the medium is the BlackBerry and the CCTV system, then the message is as much ennui as anomie. The hoodie-clad kicker-in of plate-glass windows may have had Garbo-like incognito but he was still playing for the cameras. In short stories and several novels – including his last, Kingdom Come – JG Ballard hypothesised that willed and destructive mayhem might become the only therapy for the mass psychopathology of consumerist society; a malaise that he characterised as – in two words – utter boredom.

The dominant trait of the crowd is to reduce its myriad individuals to a single, dysfunctional persona. The crowd is stupider than the averaging of its component minds. In a culture in which every consensual sexual act and narcotised state is, in effect, permitted, Ballard would argue that violence becomes the only remaining form of stimulation. I agree with this unreservedly – yet what struck me still more forcibly was the folly of the crowd of politicians and police who attempted to shame them into conformity with the law.

Back from sashaying across Tuscan hillsides, the have-mores returned to call time on the have-less. Having encouraged an economic system that devalues all social capital in favour of pelf, while ramping up the consequent financial inequalities, the so-called political class professes itself astonished by the childish greed that is sanctified by their hallowed free market. Yes, the looters may only be “relatively” deprived – but then, the politicians are only relatively corrupt, the police are only relatively on the take (and relatively prone to shooting unarmed men) and the media is only relatively likely to invade privacy by whatever means possible. Relative to each other, all four estates are absolutely morally bankrupt.

That brings us full circle: back to Enfield. Spiritualism was a quasi-religion that scintillated in the dying embers of Christian faith in the afterlife. Following the hecatomb of the First World War, the bereaved sought to contact their deceased loved ones through mediums such as Lewis’s father. Just as the distraught relatives saw the faces of their fathers, sons and lovers in the fake ectoplasm he extruded, so our finest theorists read the statistical vital signs, desperate for that quickening economic pulse. Spiritualism is no crazier than attempting to resurrect a dead economy by stimulating “demand” among the (relatively) impoverished. Theresa May calls them rioters. I see them as overenthusiastic but misguided shoppers.

Bloomsbury giveaway

August 24, 2011

Bloomsbury has a competition on Twitter to win 10 of Will Self’s newly designed books – for details go to their Twitter page, http://twitter.com/#!/BloomsburyBooks.

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Will’s Latest Book

Will Self - Elaine
Will Self's latest book Elaine will be published in hardback by Grove on September 5 2024 in the UK and September 17 2024 in the USA.

You can pre-order at Amazon.co.uk and Amazon.com

Will’s Previous Books

Will Self - Will
Will
More info
Amazon.co.uk

  Will Self - Phone
Phone
More info
Amazon.co.uk
Amazon.com
Shark
Shark
More info
Amazon.co.uk
Amazon.com
  Umbrella
Umbrella
More info
Amazon.co.uk
Amazon.com
The Unbearable Lightness Of Being A Prawn Cracker
The Unbearable Lightness Of Being A Prawn Cracker
More info
Amazon.co.uk
  Walking To Hollywood
Walking To Hollywood
More info
Amazon.co.uk
Amazon.com
The Butt
The Butt
More info Amazon.co.uk
Amazon.com
  Grey Area
Grey Area
More info
Amazon.co.uk
Amazon.com
Junk Mail
Junk Mail
More info
Amazon.co.uk
Amazon.com
  Great Apes
Great Apes
More info
Amazon.co.uk
Amazon.com
Cock And Bull
Cock And Bull
More info
Amazon.co.uk
Amazon.com
  The Quantity Theory Of Insanity
The Quantity Theory Of Insanity
More info
Amazon.co.uk
Amazon.com
The Sweet Smell Of Psychosis
The Sweet Smell of Psychosis
More info

Amazon.co.uk
Amazon.com
  My Idea Of Fun
My Idea Of Fun
More info
Amazon.co.uk
Amazon.com
The Book Of Dave
The Book Of Dave
More info
Amazon.co.uk
Amazon.com
  Psychogeography
Psychogeography
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Amazon.co.uk
Amazon.com
Psycho Too
Psycho II
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Amazon.co.uk
Amazon.com
  Liver
Liver
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Amazon.co.uk
Amazon.com
How The Dead Live
How The Dead Live
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Amazon.co.uk
Amazon.com
  Tough Tough Toys For Tough Tough Boys
Tough Tough Toys For Tough Tough Boys
More info
Amazon.co.uk
Amazon.com
Dr Mukti And Other Tales Of Woe
Dr Mukti And Other Tales Of Woe
More info
Amazon.co.uk
Amazon.com
  Dorian
Dorian
More info
Amazon.co.uk
Amazon.com
Feeding Frenzy
Feeding Frenzy
More info
Amazon.co.uk
Amazon.com
  Sore Sites
Sore Sites
More info
Amazon.co.uk
Amazon.com
Perfidious Man
Perfidious Man
More info
Amazon.co.uk
Amazon.com
  The Undivided Self
The Undivided Self
More info Amazon.co.uk
Amazon.com
Bloomsbury  
Penguin

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