Upcoming events

October 12: Sheffield, Off the Shelf festival
October 13: Birmingham.
October 14: Cheltenham.
October 19: Stand-up at Express Excess with Matthew De Abaitua at the Enterprise pub, Haverstock Hill, London. Simon Munnery will be on first.
October 29: Speaking at the Campaign Against the Arms Trade conference at the Conway Hall, London at 12.15pm.


November 2:
A Granta event at Foyles, London.
November 5: With Matthew de Abaitua in Notting Hill. Details here.
November 21: Shakespeare & Co, Paris.
November 23: The Thunderbolt, Bristol.
November 29: Tate Britain event about the films of John Martin.

Symphony and the novel

‘The high arts of literature and music stand in a curious relationship to one another, at once securely comfortable and deeply uneasy – rather like a long-term marriage. At the securely comfortable end of the emotional spectrum we have those zeniths of song, the German lieder tradition, and high opera. In the best examples of both forms words and music appear utterly and indissolubly comingled. However, at the other end of this spectrum we have those kinds of music that attempt to be literary – so-called programme music – and those forms of literature that attempt, either through descriptive representation or emulation, to aspire to the condition of music. It is not my wish to denigrate works of these type, nevertheless there does seem to me to be an inevitable compromise – deterioration even – when an art form, rather than proceeding entirely sui generis, finds its ground in another form’s practice.

The Idler Academy: Being There

Will Self returns to the Idler Academy for a symposium on walking to mark the publication in paperback of his book Walking to Hollywood (Bloomsbury). Self’s talk, Being There, will discuss the idea of using walking as a way of escaping “the man-machine matrix: that nexus of mass communication and transit that ensures we never really ever are where we are, but always being transported somewhere else.”

The Idler Academy, 81 Westbourne Park Road, London W2 5QH, Thursday 15 September, 6.30pm for 7pm, £20. Includes “free wine and dainty morsels”. Visit the Idler website for more details.

Edinburgh man

Will Self is once again appearing at the Edinburgh festival, at the following times:

First is a talk on the enduring legacy of WG Sebald on Sunday 28 August from 3.30pm to 4.30pm at the ScottishPower Studio Theatre. Further details and tickets here.

Later that day he will be giving a talk entitled “Psychogeography with a stress on the psycho”, a Folio Society event, from 8pm to 9pm. For more details and tickets, go here.

Unfortunately, the world premiere of Alasdair Gray’s Fleck, on Monday 29 August, which Self will be partly narrating, is now sold out.

The symphony and the novel

Will Self is going to be giving a lecture entitled “What’s my leitmotif-ation? Examining the formal properties of the symphony and the novel” on Saturday 8 October at 5pm at Kings Place in London.

“Many writers are intrigued by the connections between musical and literary forms,” writes Self, “but it’s the more egregious attempts at synthesising the two – think of Anthony Burgess’s Napoleon Symphony – that tend to grab attention, usually because they so spectacularly fail both as literature and as ‘linguistic music’. I will be arguing that in fact key innovations in literature have resulted from the absorption and recasting of musical form, and that just as the programme music of the late 19th century was an enormous catalyst to the atonal revolutions of the 20th, so these revolutions were in turn hugely implicated in literary modernism.”

Cycling festival

Will Self is going to be one of the speakers at the Intelligence Squared Cycling festival on September 8, 6pm to 8pm, at the Royal Geographical Society, to “celebrate the endeavour and endurance, the risk and reward of this extraordinary partnership between man and machine”. Details here.