Synopsis:
When artist Simon Dykes wakes after a late night of routine debauchery, he discovers that his world is irretrievably changed. His girlfriend, Sarah, has turned into a chimpanzee. And, to Simon’s appalled surprise, so has the rest of humanity.

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“”People understood intuitively at that point that to have an animal that was close to human but not human threw into turmoil a whole set of categories about cosmology and the Chain of Being,” he explains. “Swift was the first of a long line of satirists in the eighteenth century to have ape fantasies and construct ape worlds; there’s a Dutch version of it, a German version – it became a very enduring theme. So I’m not so much writing in the tradition of Swift as standing this long tradition of ape fantasies on its head.”

Self’s self-awareness of his own intellectual history and the writers to who have shaped his own work has been intensified by his dual role as both novelist and journalist, putting him in the strange position of regularly coming face to face with his own literary heroes. But he’s ambivalent about the value of such encounters: “Without being blasé it’s not something that appeals to me particularly. I went to interview Ballard for a 1000 word piece for the Standard and wound up talking to him for 4 hours. I really admire his work and had the fantastic, incredible bonus of finding out that he really liked my work too. But that was that. I don’t think we felt the need to meet each other ever again for the rest of our lives, although Ballard said, ‘If people like you had been around in the 60s, I would have got out more, but now it’s too late!’ which I thought was sweet. ”

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“Great Apes was a waste of time to read. The author was obviously trying to comment on modern society through a “Planet Of The Apes” type gimmick, but the payoff isn’t worth the effort. The author really doesn’t have much of anything important to say, and comes off as more interested in painting a picture of what the world would be like if chimps were dominant, rather than saying anything new about what humans are like. It would have worked better as light reading sci-fi where the fantasy setting *is* the story. When I got to the end I thought “Is that it?”. Self thinks he’s pretty clever but the gimmick gets in the way. In the end, it wasn’t worth my time.” – Curran Filer

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“Once you get over the opening of the book – which will put you off enjoying sex for a goodish while – and move into the London of the chimps, the humour really kicks in. Really the joke is no deeper than a PG Tips commercial – the juxtaposition of putting chimpanzees in human clothing in a human world – but it is superbly realized. You’ll come to love the terms ‘pant-hoot’, ‘knuckle-walk’ and ‘go bipedal’. The way Self handles this anthropomorphising of chimps, and primatomorphising of humans, is just genius. The chimps are civilised in all ways, but their chimpness is retained and manifested is hilarious ways; sub-adults (teenage youths) are still sullen and insolent, the eminent professor will arrive home to his Group and discuss his day at the office whilst all around is vigorous inter-generational incestuous mating and casual displays of swollen anuses (perhaps the unpleasant human sexual behaviour at the start of the book was intended to contrast with the innocent and functional mating of the chimps, to show what dark shadows we humans throw on what is essentially the same act).” – Nigel Collier

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“When Simon Dykes awakes one morning from uneasy dreams, he finds himself transformed in his bed into a giant ape. Worse, the young artist’s attractive and sexually voracious girlfriend, Sarah, is now a well-upholstered and no less sexually voracious chimpanzee. Simon goes, as Self would have it, ‘humanshit’. He spent the previous night swilling, snorting and pilling among a crowd of tatty media whores in a London clubland familiar from Self’s novella, The Sweet Smell of Psychosis. So Simon, not unreasonably, assumes that he is suffering a psychotic episode brought on by overdoing the ‘crap bar-room cocaine’. No such luck. He is carted off to secure accommodation, and a team of primate psychiatrists set about ‘curing’ him of the inexplicable delusion that he is human.”

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“Great Apes is arguably a twist of genius, and there are passages that kindle the imagination. But sometimes Will Self has the habit of carrying himself too far out on a limb, snaking his way into over analysis and attention to detail. However, in the current climate of decadent London’s artistic excess he’s sure – like his fictional protagonist Simon Dykes – to be the toast of the town for a long time. ”

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“Using Dykes as his Gulliver, Self takes a hilarious romp through modern society. In “Great Apes” the worlds of contemporary art, academics and psychiatry fall quickly as easy prey to Self’s mock sociology of chimpanzee culture. Just imagine a popular art opening crowded with chimpanzees dressed in chic chimp evening wear and you can get a peek at the novel’s vision. “Great Apes” is literature’s Planet of the Apes as author Self plays the role of a funhouse anthropologist, a voyeur into a world of his own warping. On waking to a world modified to satisfy chimpanzee issues, the protagonist Simon Dykes is hysterical. As readers we can only be amused. When Simon Dykes first screeches at the sight of his girlfriend’s hairy chest and arms, we know we are witnessing the birth of a strange world.”

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“Such, believe it or not, is the story line of ”Great Apes,” and if it doesn’t sound like your idea of literature, you’re probably not alone. In earlier books, like ”My Idea of Fun” and the story collection ”Grey Area” (in which both Zack Busner and Simon Dykes previously appeared, though in human form), Self made a name for himself as a defiant satirist with a peculiar mastery of the vocabulary of modern neurosis. Cultivating controversy in his life as well as in his work (during his stint as a reporter in the recent British election campaign, he was thrown off John Major’s plane, accused of shooting heroin in the bathroom), he has polarized the reading public both here and in England, earning the usual iconoclast’s reward of rabid denunciations and hyperbolic praise.”

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