An interview with John Hillcoat, director of The Road

“Arriving at the Hove flat the film director John Hillcoat shares with his wife, the photographer Polly Borland, and their eight-year-old son, Louie, I’m met by a great pile of plastic toys dominating the huge Regency room. There’s a child’s drum kit, crates full of toy cars, space hoppers, a play stove … actually, there’s so much stuff it’s impossible to grasp with the eye, let alone enumerate. ‘Oh, gosh,’ says Hillcoat, in his soft Australian accent, ‘we’re having a material cull. We realised we hadn’t thrown anything out for years — since we moved here in fact.’

Yule only regret it

“I’m not altogether sure Christmas dinner is a meal at all, let alone a real one; rather, it is the focus of all the faith, hope and joy – as well as the transgenerational neuroses and psychic dyspepsia – that we load on to that already heavily freighted barque ‘the family’. Granted, not everybody who eats Christmas dinner does so with their family, but even childless friends who refer to the rest of us – not a little contemptuously – as ‘breeders’ seem to end up pulling crackers and donning paper hats, thereby making up for a lack of infants by infantilising themselves.

WG Sebald lecture

Will Self is going to be giving the annual WG Sebald lecture at Kings Place in London on Monday 11 January at 7pm. Self will analyse Sebald’s Holocaust writing in the light of the evolving historical understanding of the Holocaust and the part the German people took in it. Self asks whether, when it comes to such crimes against humanity, it is possible for there to be a literature either by, or about, the perpetrators, and what purpose such writings might fulfil.

For further details and for tickets, which cost £9.50, visit the Kings Place website or the UEA website here.